Fernand Léger (1881-1955)
Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多
Fernand Léger (1881-1955)

Nature morte du vase bleu

细节
Fernand Léger (1881-1955)
Nature morte du vase bleu
inscribed 'Nature Morte du Vase Bleu no. 55', stamped 'F.LEGER 51 BIOT (A.M.)' and with the Galerie Simon label (on the reverse)
painted and glazed terracotta plaque
10 1/8 in (25.8 cm.) high x 13 ½ in. (34.3 cm.) wide
Executed in the atelier of Roland Brice in Biot in 1951; this work is unique
来源
With Galerie Simon, Paris, (no. 6799).
Nadia Léger, by descent from the artist.
Georges Bauquier, by descent from the above.
Madame Bauquier, by descent from the above.
Mrs Fayollat, France, a gift from the above.
Acquired by the present owner in 2013.
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

拍品专文

As with his mural and mosaic works, Léger’s experiments with ceramics were rooted in a broader desire to expand the traditional notion the nature of art, to escape the canvas, to move his art on to everything from decorative objects to the walls of the city. The artist’s first experiments were carried out in the studio of the ceramicist Roland Brice, who had studied under Léger’s tutelage from 1937 alongside Nicolas de Stael and workers from the Renault automobile factory. These works, which successfully translated Léger’s unique painterly style into ceramic, represent a true collaboration between the two artists – Brice considered the technical aspects of the production, while Léger conceived the design, shaped the final sculpture before it was fired, and applied the finished colour. Calling these experiments new ‘plastic facts’, Léger reached a new understanding of form and colour through their realisation, the bright, dynamic three-dimensional form of each new work offering an alternative channel for his lyrical, artistic expression.

更多来自 Reshaped - Ceramics Through Time

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