A SWEDISH GILT-LEAD AND GILTWOOD MIRROR
This lot will be removed to Christie’s Park Royal.… Read more
A SWEDISH GILT-LEAD AND GILTWOOD MIRROR

CIRCA 1735, ATTRIBUTED TO BURCHARD PRECHT

Details
A SWEDISH GILT-LEAD AND GILTWOOD MIRROR
CIRCA 1735, ATTRIBUTED TO BURCHARD PRECHT
The rectangular plate within an egg-and-dart shaped mirrored frame, surmounted by a scrolling cresting centred with a mask and fruiting vase, flanked by floral sprays and further vases
51 in. (130 cm.) high; 27 in. (69 cm.) wide
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Paul Gallois
Paul Gallois

Lot Essay

With its idiosyncratic arched cresting, confronting C-scrolls, and floral bouquet finial, this elegant mirror in gilt-lead is characteristic of the oeuvre of Burchard Precht (d. 1738). The Precht family is synonymous with the production of mirrors in Sweden in the early part of the 18th Century and numerous examples are attributed to either Burchard Precht or his sons Gustav (d. 1763) and Christian (d. 1779). Originally from Bremen, Burchard Precht arrived in Stockholm in 1674 to work at Drottingholm Palace and was named carver to the Swedish Court in 1682. In 1687-88 he travelled to Rome and Paris with Court architect Nicodemus Tessin, a collaboration which strongly influenced his work and led to many ecclesiastical commissions. His sons also achieved great success, Christian becoming an important silversmith in Sweden during the mid-18th Century. A related mirror was formerly in the Wrightsman collection (F.J.B. Watson, The Wrightsman Collection, II, New York, 1966, no. 209, pl. 395) while comparable examples are illustrated in S. Roche et al., Mirrors, New York, 1985, col. pl. VII and T. Sylvén and E. Welander-Berggren, Speglar: Spegelmakare & Fabrikörer I Sverige 1650-1850, Stockholm, 2000, pp. 194, 196-197.

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