A RARE AND SUPERB WHITE JADE CARVING OF A DRAGON-HORSE
A RARE AND SUPERB WHITE JADE CARVING OF A DRAGON-HORSE
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PROPERTY FROM THE WATER, PINE, AND STONE RETREAT COLLECTION
A RARE AND SUPERB WHITE JADE CARVING OF A DRAGON-HORSE

QIANLONG PERIOD (1736-1795)

Details
A RARE AND SUPERB WHITE JADE CARVING OF A DRAGON-HORSE
QIANLONG PERIOD (1736-1795)
The large pebble is superbly carved as a longma (dragon-horse), with a pair of scrolls tied to its back by a long beribboned sash, looking back at dragon-tortoise, luogui, with a volume of books similarly tied to its back, both rising from waves which make up the lower part of the carving, utilising the brown skin of the materials. The horse is carved with scaled flanks with flames emanating from them. The stone is of an even, semi-translucent white tone with a soft polish and concentrated areas of russet skin.
6 1/8 in. (15.5 cm.) long, zitan wood stand, box
Provenance
Hugh M. Moss Ltd., circa 1973/1974
Jack Lowenthal Collection
S. Marchant & Son, London, June 1997
Literature
S. Marchant & Son, Post-Archaic Chinese Jades, London, 1995, no. 104
Exhibited
Grosvenor House Antique Dealers’ Fair, London, June 1997

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Priscilla Kong
Priscilla Kong

Lot Essay

The current jade sculpture represents the finest of early Qing jade carving with impeccable technique combined with excellent material, in this case a prized and unusually large river-pebble, or ziyu (籽玉, seed jade) in jade collectors’ colloquial. The sculpture is skillfully carved with a well-balanced design, showing the two animals and their attributes interact and correspond to each other. The russet ‘skin’ of the pebble has been imaginatively incorporated in the carving to denote the fringe of foam around the breaking waves, and, serendipitously, as one eye of the horse. The exquisite carving indicates that it was probably produced for the Court, or in any case for an extremely wealthy member of the elite class. The carving style also suggests that it was probably carved in Suzhou, or by a Suzhou-trained carver working in the Palace Workshops. This type of objects were often made as accoutrements for a scholar’s studio, perhaps originally as paper-weights or brush-rests. By the Qing dynasty, however, they were often appreciated as works of art in their own right, and elevated, both physically and aesthetically, by beautifully carved wood stands.

The subject matter of the current jade is rooted in ancient Chinese culture, concerning two mythical documents He Tu (Yellow River Diagram) and Luo Shu (Luo River Chart). He Tu allegedly appeared on the back of a dragon-horse emerging from the Yellow River; while Luo Shu was carried by a mythical tortoise found in the Luo River. They were discovered by Fu Xi, the pre-historical sage-king, who supposedly developed the Trigram system based on He Tu. The content of Luo Shu was suggested to be the 3 x 3 Magic Square, a mathematical novelty. The dragon horse is a mythical animal supposedly born from the coupling of a dragon and a mare. It has a horse body covered in dragon scales, as is faithfully depicted on the current jade. The appearance of the tortoise is based on bixi one of the nine offspring of the dragon, and is depicted as a dragon with the shell of a tortoise.

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