RARE STATUE DE GUHYASADHANA LOKESHVARA EN BRONZE DORE
RARE STATUE DE GUHYASADHANA LOKESHVARA EN BRONZE DORE
RARE STATUE DE GUHYASADHANA LOKESHVARA EN BRONZE DORE
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RARE STATUE DE GUHYASADHANA LOKESHVARA EN BRONZE DORE
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PROPERTY FROM A DUTCH PRIVATE COLLECTION
RARE STATUE DE GUHYASADHANA LOKESHVARA EN BRONZE DORE

CHINE, DYNASTIE MING, MARQUE INCISEE A SIX CARACTERES ET EPOQUE YONGLE (1403-1424)

细节
RARE STATUE DE GUHYASADHANA LOKESHVARA EN BRONZE DORE
CHINE, DYNASTIE MING, MARQUE INCISEE A SIX CARACTERES ET EPOQUE YONGLE (1403-1424)
Il est représenté assis en vajrasana sur un socle lotiforme placé sur un padma lotus. Ses bras principaux enlacent sa parèdre dont les mains sont en anjalimudra. Ses deux autres mains tiennent le rosaire et le lotus. Sa parèdre porte le karttrika et le kapala. Il est vêtu d'un dhoti. Les divinités sont parées de bijoux. Son visage est empreint de sérénité. Ses cheveux sont coiffés en chignon et rehaussés d'une tiare. La base porte la marque incisée à six caractères de l'empereur Yongle ; scellée.
Hauteur totale : 10 cm. (4 in.)
来源
Dutch private collection, within the family since 1946.
展览
On loan to the Royal Tropical Institute, Amsterdam, 1993-2018.
更多详情
AN IMPORTANT GILT-BRONZE FIGURE OF GUHYASADHANA LOKESHVARA
CHINA, MING DYNASTY, YONGLE INCISED SIX-CHARACTER MARK AND OF THE PERIOD (1403-1424)

荣誉呈献

Tiphaine Nicoul
Tiphaine Nicoul

拍品专文

This superbly cast gilt-bronze figure of Guhyasadhana Lokeshvara is characterized by the indisputable quality of the gilding and its sculpture despite its small size. The presence of the second circular lotus stand under the sealed padma lotus stand could suggest that it was part of a larger sculpture, possibly one of the very elaborate Yongle-period gilt-bronze mandalas with articulated petals which could be closed to form a lotus bud. See the magnificent and iconic gilt-bronze Vajrabhairava eight-petaled lotus mandala, also bearing an incised Yongle reign mark, in the collection of the Tibet Museum, Lhasa.
Bronzes in the Tibeto-Chinese style produced during the reign of Emperor Yongle in the first quarter of the 15th century and bearing his reign mark, are highly distinguished for their unsurpassed craftsmanship, overall refinement and gracefulness. Executed by the Imperial ateliers, they display a highly consistent and uniform style, which evolved out of the influence of the Nepalese artist Anige (1244-1306) at the Yuan court and the close links with Tibet established by the Yongle Emperor. The distinct Imperial style includes double-lotus bases with beaded rims and characteristic facial features with broadened outline, gently arched brows above the lidded eyes and subtle smile, all finished with great attention to detail.

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