Lot Essay
The Comité Marc Chagall has confirmed the authenticity of this work.
This work was drawn on the frontispiece of Le message biblique Marc Chagall by Fernand Mourlot, Paris, 1972.
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La joie du berger pour Ingrid et Alfred
Details
Marc Chagall (1887-1985)
La joie du berger pour Ingrid et Alfred
signed, dated and inscribed 'St. Paul 1972 Marc Chagall' (lower right) and inscribed 'Pour Ingrid et Alfred amicalement' (lower left)
pastel, chalk, pen and India ink and pencil on paper
12 ½ x 9 3/8 in. (31.8 x 23.7 cm.)
Executed in 1972
La joie du berger pour Ingrid et Alfred
signed, dated and inscribed 'St. Paul 1972 Marc Chagall' (lower right) and inscribed 'Pour Ingrid et Alfred amicalement' (lower left)
pastel, chalk, pen and India ink and pencil on paper
12 ½ x 9 3/8 in. (31.8 x 23.7 cm.)
Executed in 1972
Provenance
Ingrid & Alfred Neuman, Saint-Paul-de-Vence, by whom acquired directly from the artist.
Anonymous sale, Ketterer Kunst, Munich, 12 June 2010, lot 92.
Acquired at the above sale by the present owner.
Anonymous sale, Ketterer Kunst, Munich, 12 June 2010, lot 92.
Acquired at the above sale by the present owner.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
Brought to you by
Annie Wallington
The Comité Marc Chagall has confirmed the authenticity of this work.
This work was drawn on the frontispiece of Le message biblique Marc Chagall by Fernand Mourlot, Paris, 1972.