The Entrance to Hell (design for Orphée et Eurydice by Christoph Willibald Gluck)

細節

Louis-Jean Desprez (Auxerre 1743-1804 Stockholm)
The Entrance to Hell (design for Orphée et Eurydice by Christoph Willibald Gluck)
pen and black ink and watercolour
17 ½ x 23 1/8 in. (44.3 x 58.6 cm)

來源

with Galerie Jean-Marie Le Fell, Paris.

出版

N. Strasser, Dessins français du XVIe au XVIIIe siècle. Collection Jean Bonna, Geneva, 2016, no. 90, ill.

注意事項

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榮譽呈獻

Jonathan den Otter

jdenotter@christies.com +44 (0) 207 389 2736

拍品專文

This extraordinarily inventive sheet seems to be the only one to have survived from Desprez’s designs for a production at the Swedish court of Christoph Willibald Gluck’s Orphée et Eurydice (Act 2, Scene 1). Gluck himself had produced the French version in 1773 of the Italian prototype, Orfeo ed Euridice, first performed in Vienna in 1762 and an instant success, with a transformative effect on future opera composition. The first night at Drottningholm took place on 11 May 1786, where Desprez’s designs were not well received. The lines of columns, variously composed of intertwined monsters, the capitals embellished with snakes and other fantastical creatures, led to a domed entrance guarded by a winged dragon with gaping mouth and scaly body.

The Entrance to Hell (design for Orphée et Eurydice by Christoph Willibald Gluck)

榮譽呈獻

拍品專文

更多來自 古典大師及英國繪畫與水彩

更多來自古典大師及英國繪畫與水彩