![MERIAN, Maria Sibilla (1647-1717) De Europische Insecten. Amsterdam: J.F. Bernard, 1730. [Bound with:] – Over de Voortteeling en Wonderbaerlyke Veranderingen der Surinaamsche Insecten. Amsterdam: J.F. Bernard, 1730.](https://www.christies.com/img/LotImages/2019/CKS/2019_CKS_17200_0705_001(merian_maria_sibilla_de_europische_insecten_amsterdam_jf_bernard_1730071211).jpg?w=1)
![MERIAN, Maria Sibilla (1647-1717) De Europische Insecten. Amsterdam: J.F. Bernard, 1730. [Bound with:] – Over de Voortteeling en Wonderbaerlyke Veranderingen der Surinaamsche Insecten. Amsterdam: J.F. Bernard, 1730.](https://www.christies.com/img/LotImages/2019/CKS/2019_CKS_17200_0705_000(merian_maria_sibilla_de_europische_insecten_amsterdam_jf_bernard_1730071202).jpg?w=1)
Details
MERIAN, Maria Sibilla (1647-1717) De Europische Insecten. Amsterdam: J.F. Bernard, 1730. [Bound with:] – Over de Voortteeling en Wonderbaerlyke Veranderingen der Surinaamsche Insecten. Amsterdam: J.F. Bernard, 1730.
First folio edition of these fundamental works by Merian, with the joint bookplate of Osbert Salvin and Godman, suggesting this work was part of their reference library for their work Central America. First edition in Dutch of the first work. Previously published in quarto format only, these editions were seen through the press by Merian's daughter, Johanna Helena, who added another 12 plates to this second Dutch edition of Metamorphosis insectorum surinamensium, and appear here in print for the first time. 'Artistic groupings of the insects amid the tropical flora makes this book one of the most beautiful and unusual in the whole range of natural history' (Landwehr p.28). De Europische insecten was first published in Nuremberg as Der Raupen wunderbare Verwandelung und sonderbare Blumennahrung, in two volumes, 1679-1683, before the artist/naturalist had left her native Germany for Holland. It was her first book, demonstrating the early development of her passionate interest in insects and their transformations. Dunthorne 205; Hunt 483 and 484; Landwehr Dutch Books with Coloured Plates 130 and 136; Nissen BBI 1342 and 1341.
2 works bound in one, folio (505 x 360mm). First work: half-title, title printed in red and black, engraved allegorical frontispiece, title-vignette, 184 finely engraved copper plates on 47 leaves after (text lightly spotted, only occasional spots on plates, a little stronger on first few plates, light smear mark between engraving IV and VII); second work: engraved title-vignette, 72 engraved plates after Merian by J. Mulder, P. Sluyter und D. Stoopendael, of which 39 are hand-coIoured, 2 part-coloured only, and 31 uncoloured (lacking the frontispiece, lightly spotted, occasional light thumb-soiling). Contemporary calf gilt (front joints cracked but cords holding, worn). Provenance: Osbert Salvin and Frederick du Cane Godman (joint bookplate).
First folio edition of these fundamental works by Merian, with the joint bookplate of Osbert Salvin and Godman, suggesting this work was part of their reference library for their work Central America. First edition in Dutch of the first work. Previously published in quarto format only, these editions were seen through the press by Merian's daughter, Johanna Helena, who added another 12 plates to this second Dutch edition of Metamorphosis insectorum surinamensium, and appear here in print for the first time. 'Artistic groupings of the insects amid the tropical flora makes this book one of the most beautiful and unusual in the whole range of natural history' (Landwehr p.28). De Europische insecten was first published in Nuremberg as Der Raupen wunderbare Verwandelung und sonderbare Blumennahrung, in two volumes, 1679-1683, before the artist/naturalist had left her native Germany for Holland. It was her first book, demonstrating the early development of her passionate interest in insects and their transformations. Dunthorne 205; Hunt 483 and 484; Landwehr Dutch Books with Coloured Plates 130 and 136; Nissen BBI 1342 and 1341.
2 works bound in one, folio (505 x 360mm). First work: half-title, title printed in red and black, engraved allegorical frontispiece, title-vignette, 184 finely engraved copper plates on 47 leaves after (text lightly spotted, only occasional spots on plates, a little stronger on first few plates, light smear mark between engraving IV and VII); second work: engraved title-vignette, 72 engraved plates after Merian by J. Mulder, P. Sluyter und D. Stoopendael, of which 39 are hand-coIoured, 2 part-coloured only, and 31 uncoloured (lacking the frontispiece, lightly spotted, occasional light thumb-soiling). Contemporary calf gilt (front joints cracked but cords holding, worn). Provenance: Osbert Salvin and Frederick du Cane Godman (joint bookplate).
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