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Lot Essay
The combination of celadon green with underglaze cobalt blue and underglaze copper red is relatively rare, no doubt because it was so difficult to fire successfully. With the coming of the Kangxi reign came renewed imperial interest in porcelain and a demand for high quality and variety. In the early years of the reign the potters revived the combination of underglaze blue and underglaze copper red on single pieces, and with the re-establishment of the imperial kiln complex court demand for innovation resulted in molded and carved surface decoration and the use of areas of celadon green being added to this already challenging palette.
The favored decorative theme in this technique is landscape with trees, mountains, water and molded and carved celadon-green rocks. Compare a Kangxi period trumpet-mouthed vase in the Seikado Bunko, Tokyo, illustrated in Sekai toji zenshu, Tokyo, 1983, vol. 15, Qing, p. 146, no. 138. Compare, also, a Kangxi period vase of similar shape and large size, sold at Christie’s New York, 26 March 2003, lot 260.
The favored decorative theme in this technique is landscape with trees, mountains, water and molded and carved celadon-green rocks. Compare a Kangxi period trumpet-mouthed vase in the Seikado Bunko, Tokyo, illustrated in Sekai toji zenshu, Tokyo, 1983, vol. 15, Qing, p. 146, no. 138. Compare, also, a Kangxi period vase of similar shape and large size, sold at Christie’s New York, 26 March 2003, lot 260.