MAURITS CORNELIS ESCHER (1898-1972)
MAURITS CORNELIS ESCHER (1898-1972)
MAURITS CORNELIS ESCHER (1898-1972)
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MAURITS CORNELIS ESCHER (1898-1972)
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No VAT on hammer price or buyer's premium. Artist… Read more
MAURITS CORNELIS ESCHER (1898-1972)

M.C. Escher: Regelmatige Vlakverdeeling (Regular Division of the Plane)

Details
MAURITS CORNELIS ESCHER (1898-1972)
M.C. Escher: Regelmatige Vlakverdeeling (Regular Division of the Plane)
the complete book including seven wood engravings and an additional suite of six printed in red, 1958, on wove paper, one print on the frontispiece, the others hors-texte, dedicated Voor George en Milie/v.d.S./13-XII-'58 in ink on the front fly-leaf, with title, text by the artist, en-texte illustrations and justification, the justification with the inscription auteurs-exemplaar/ L.L. in ink, an author's copy aside from the edition of 175, published by Stichting De Roos, Utrecht, the full sheets, bound (as issued), the additional suite loose in a cloth strap on the inside back-cover (as issued), all within the original, paper-covered boards with the artist's bird design in red, with cloth-spine and fore-edges, in very good condition (book)
345 x 260 mm. (overall)
Provenance
Johan George Escher (1894-1969), Bentveld; a gift from the artist.
Then by descent to the present owner.
Literature
Bool 368, 416-421
Special notice
No VAT on hammer price or buyer's premium. Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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Lot Essay

`A graphic artist has something of the troubadour within him. He sings and repeats the same song in each print he creates from the same woodblock, copperplate or lithographic stone.'

For the frontispiece with the opening line of his treatise Regular Division of the Plane, Escher used the woodcut Self-Portrait in a Spherical Mirror, in the manner of a medieval manuscript, to decorate the elaborate red G of 'graficus'. The book is Escher's most elaborate exposition of his interest in tessellation, illustrated with his own wood engravings.

In the dedication to his eldest brother Johan George Escher and his wife Emelie on the fly leaf, Escher signs off with the cryptic initials ‘v.d. S’. Pronounced as ‘van de Es’, this ubiquitous Netherlandish surname is comparable to 'Smith' in the English-speaking world. With this everyman nom de plume, an insider joke known only to his family, Escher self-deprecatingly mocks his growing reputation.

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