A GILT BRONZE FIGURE OF BUDDHA SHAKYAMUNI
A GILT BRONZE FIGURE OF BUDDHA SHAKYAMUNI
A GILT BRONZE FIGURE OF BUDDHA SHAKYAMUNI
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A GILT BRONZE FIGURE OF BUDDHA SHAKYAMUNI
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THE PROPERTY OF A DISTINGUISHED PRIVATE COLLECTOR
A GILT BRONZE FIGURE OF BUDDHA SHAKYAMUNI

SRI LANKA, POLONNARUVA PERIOD, 11TH CENTURY

細節
A GILT BRONZE FIGURE OF BUDDHA SHAKYAMUNI
SRI LANKA, POLONNARUVA PERIOD, 11TH CENTURY
8 5/8 in. (21.9 cm.) high
來源
The Pan-Asian Collection (Christian Humann), by 1977.
Robert Hatfield Ellsworth, New York, 1982-2002.
Christie's, New York, 19 September 2002, lot 200.
出版
P. Pal, The Sensuous Immortals, A Selection of Sculptures form the Pan-Asian Collection, catalogue of the traveling exhibition, Los Angeles, 1977, p. 155, no. 91b.
展覽
On loan to the Los Angeles County Museum of Art.
Los Angeles County Museum of Art, Seattle Art Museum, Denver Art Museum, William Rockhill Nelson Gallery, Kansas City, National Gallery, Ottawa, Toledo Museum of Art: "The Sensuous Immortals," 25 October 1977-29 October 1978.

榮譽呈獻

Jacqueline Dennis Subhash
Jacqueline Dennis Subhash

拍品專文

The simple and pure styling of this Buddha figure can be traced to the politico-religious upheavals in Sri Lanka in the tenth and eleventh centuries, when the Chola Empire under King Rajaraja invaded and conquered the northern portion of the island. Buddhism was nearly wiped out during this period of occupation, as the Cholas as a rule only supported the Brahmanical temples, and in some cases, destroyed Buddhist monasteries. When the Sinhalese finally won back control of Sri Lanka in the late eleventh century, they sent for Theravadin Buddhist monks from Burma to help reestablish the religion on the island, and the conservative styling of their religious sculpture, as seen here, changed little over the subsequent centuries. For further discussion of the stylistic conservatism, see P. Pal, Asian Art at the Norton Simon Museum, vol. III, 2004, pp. 56-57, cat. nos. 44-47.

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