A EMPIRE GREY-PAINTED FAUTEUIL
A EMPIRE GREY-PAINTED FAUTEUIL
A EMPIRE GREY-PAINTED FAUTEUIL
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A EMPIRE GREY-PAINTED FAUTEUIL
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This lot will be removed to Christie’s Park Royal.… Read more
A EMPIRE GREY-PAINTED FAUTEUIL

BY EITHER JACOB-DESMALTER OR PIERRE-BENOÎT MARCION, CIRCA 1810

Details
A EMPIRE GREY-PAINTED FAUTEUIL
BY EITHER JACOB-DESMALTER OR PIERRE-BENOÎT MARCION, CIRCA 1810
The rectangular back and bow-fronted seat covered in blue fabric, the channelled frame carved with berried laurel and flowerheads, the arms headed by shells and terminating in stylised acanthus scrolls, above baluster turned and leaf-wrapped supports, the rails centred by foliate wreaths flanked by stylised foliate branches, above baluster-turned and leaf-wrapped legs, branded 'FON' and with three crowned fleur-de-lys, and with blue stencilled number 'F-16179'
36 ¼ in. (92 cm.) high; 24 in. (61 cm.) wide; 21 in. (53.5 cm.) deep
Provenance
Château de Fontainebleau.
Anonymous sale; Christie's, London, 6 July 2006, Lot 163.
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Charlotte Young
Charlotte Young

Lot Essay

The present fauteuil was almost certainly supplied to Fontainebleau circa 1804-1806 but cannot be attributed firmly to either of the two makers who supplied furniture to the château, Jacob-Desmalter and Marcion, since they worked in a very similar style and were producing exactly the same models.

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