A MONUMENTAL BERLIN (K.P.M.) PORCELAIN FIGURAL CENTERBOWL AND COVER (BOWLENGEF?ß)
A MONUMENTAL BERLIN (K.P.M.) PORCELAIN FIGURAL CENTERBOWL AND COVER (BOWLENGEF?ß)
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Please note this lot will be moved to Christie’s F… Read more PROPERTY FROM THE JAMES K. LI COLLECTION
A MONUMENTAL BERLIN (K.P.M.) PORCELAIN FIGURAL CENTERBOWL AND COVER (BOWLENGEFӒß)

CIRCA 1891, BLUE SCEPTRE MARK, DESIGNED BY DIRECTOR ALEXANDER KIPS, THE FIGURES MODELED BY ERNST WAGENER, THE SCROLLWORK AND VINE LEAVES BY ALBERT, HINKE AND SEIFERT

Details
A MONUMENTAL BERLIN (K.P.M.) PORCELAIN FIGURAL CENTERBOWL AND COVER (BOWLENGEF?ß)
CIRCA 1891, BLUE SCEPTRE MARK, DESIGNED BY DIRECTOR ALEXANDER KIPS, THE FIGURES MODELED BY ERNST WAGENER, THE SCROLLWORK AND VINE LEAVES BY ALBERT, HINKE AND SEIFERT
In the Neo-Rococo style, applied allover with lush fruiting grapevine, the finial formed as a pineapple supported by three putti, one with a lion pelt, the rocaille-molded bowl with three scroll feet surmounted by figures, including a scantily clad male and female offering roses, she also with a cornucopia spilling roses, and a bearded Bacchanalian figure above musical instruments including a tambourine and pan-pipe
36 in. (91.4 cm.) high; 33 ½ in. (85.1 cm.) wide, overall
Provenance
By tradition, commissioned by Kaiser Wilhelm II.
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

Lot Essay


Compare the example in the Kunstahuas am Museum, Carola van Ham in Cologne, Germany, illustrated by E. Köllmann and M. Jarchow, Berliner Porzellan, Band II, Berlin, 1966, Tafel 241, p. 327, and here noted as being created as a gift for Kaiser Wilhelm II.

The decorative taste of the late 19th century is epitomized by the massive scale and detailed decoration of this centerpiece. The characteristic rocaille scrolls, dripping grapevine, playful putti and bacchic figures exemplify the Neo-Rococo style and accentuate the grandeur of the bowl. A polychrome-enameled example of this impressive centerpiece bowl was exhibited at the 1893 Chicago Exposition alongside other works by the KPM factory and the Glory of Germanica tile painting by Alexander Kips. See Hubert Howe Bancroft, The Book of the Fair, Chicago, 1893, p. 186.

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