UTAGAWA KUNISADA (JAPANESE: 1786-1864)
UTAGAWA KUNISADA (JAPANESE: 1786-1864)

MEMORIAL PORTRAIT OF HIROSHIGE

Details
UTAGAWA KUNISADA (JAPANESE: 1786-1864)
MEMORIAL PORTRAIT OF HIROSHIGE
Woodblock print, signed Toyokuni ga, published by Uoya Eikichi, 1858, 9th month
Vertical oban: 14 ¼ x 10 in. (36.3 x 25.4 cm.)
23 x 18 ¾ in. (58.5 x 47.6 cm.) (including frame)
Provenance
Henri Vever (1854-1943), Paris (red seal lower left)
Literature
Sotheby's, London, Highly Important Japanese Prints from the Henri Vever Collection: Final Part, 30 October 1997, lot 158.

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Cosima Stewart
Cosima Stewart

Lot Essay

This print honours Utagawa Hiroshige (1997-1858), and features a farewell poem by Temmei Rojin. The seated Hiroshige wears a kimono bearing his monogram Hiro, and holds Buddhist rosary beads. The inscription details the date of Hiroshige's death (6th day, 9th month, 1858), and declares Hiroshige, Kunisada and Kuniyoshi as the three great masters of Ukiyo-e.
The same print is in the collection of the Metropolitan Museum of Art, New York, accession no. JP2832, go to: https://www.metmuseum.org/art/collection/search/53719

The fact that this print came from the collection of Henri Vever would have been an important factor for Oliver Hoare. Vever formed one of the most impressive of all collections of Persian and Mughal painting in the late 19th and early 20th centuries, now all at the Freer Sackler Gallery, Washington D.C.

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