Lot Essay
‘Tony Bevan’s heads and architectural spaces, along with his newer series of studio furniture, do not fit neatly into any painterly category. They are neither figurative, in the strict sense that they are ‘copies’ of what he has observed in the world, nor are they entirely abstract, in that the imagery has been broken down into a series of painterly gestures divorced from the actual visible world. Born out of the reality of observation they are a tentative exploration of the one dimensional space of the canvas, which seems to undergo some sort of transformation so that the paintings open out into a metaphysical space that is experienced as beyond that of the physical picture plane.’
-Sue Hubbard