Luca Giordano (Naples 1634-1705)
PROPERTY FROM A PRIVATE COLLECTION (LOTS 206-223)
Luca Giordano (Naples 1634-1705)

Saint Anthony of Padua and the unbeliever's mule adoring the sacrament

細節
Luca Giordano (Naples 1634-1705)
Saint Anthony of Padua and the unbeliever's mule adoring the sacrament
oil on canvas
40 x 31 in. (101.6 x 78.7 cm.)
來源
Mrs. Parkhurst; Christie's, London, 19 July 1884, lot 137, as 'S. Rosa' (later corrected to 'L. Giordano'), sold as a set of four as 'Events in the Life of St. Francis' (2 gns. to Parsons).
H.D. Molesworth, from 1950.
with Hazlitt, London, by 1961.
Professor Michael Jaffé, and by descent to the present owners.
出版
B. Nicholson, ‘Current and Forthcoming Exhibitions: London’, The Burlington Magazine, CIII, 1961, p. 195.
T. Ellis, Neapolitan Baroque and Rococo Paintings, exhibition catalogue, Durham, 1962, unpaginated, under no. 59.
O. Ferrari and G. Scavizzi, Luca Giordano, Naples, 1966, I, pp. 165 and 203; II, p. 218-9; III, fig. 470.
M. Levey, National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian School, London, 1971, p. 115, under no. 1844.
M.J. Sánchez Beltrán, 'Documentos sobre las pinturas de la iglesia de San Antonio de los Almanes en Madrid', Archivo Español de Arte, 239, 1987, pp. 368-73.
O. Ferrari, Bozzetti italiani dal Manierismo al Barocco, Naples, 1990, p. 167.
O. Ferrari and G. Scavizzi, Luca Giordano: L'opera completa, Naples, 1992, I, p. 353, no. A667.
O. Ferrari and G. Scavizzi, Luca Giordano: Nueve ricerche e inediti, Naples, 2003, p. 96, no. A667, fig. A0296.
展覽
London, Royal Academy of Arts, Works by Holbein and other Masters of the 16th and 17th Centuries, 9 December 1950-5 March 1951, no. 337.
London, Royal Academy of Arts, Goya and His Times, 9 December 1963-1 March 1964, no. 1.
Cambridge, Fitzwilliam Museum, on loan until 2019.
Naples, Museo di Capodimonte; Vienna, Kunsthistoriches Museum; and Los Angeles County Museum, Los Angeles, Luca Giordano 1634-1704, 3 March 2001-20 January 2002, no. 123.

拍品專文

This spirited sketch is one of the bozzetti for the fresco cycle in the church of San Antonio de los Portugueses in Madrid, executed by Giordano between 1698 and 1700. The frescoes, showing scenes from the life of Saint Anthony, are designed to imitate tapestries being held aloft by angels and putti, with allegorical figures beneath. This canvas is one of six known bozzetti, all finished with typical virtuosity; the others are in the Auckland City Art Gallery; the National Gallery, London; the Musee Magnin, Dijon; one was formerly with Hazlitt, London; and another previously in the collection of Aldo Briganti, Rome.

The episode shown here took place in Bourges. A heretic called Guillard told Saint Anthony that he would believe that Christ was truly present in the Eucharist only if his mule bowed down to it. The mule was starved for three days, after which time, ignoring its own extreme hunger, it went before the Eucharist and knelt down to adore the Blessed Sacrament, instead of taking food from Guillard. After his conversion he went on to found the church of Saint-Pierre-le Guillard in Bourges.

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