A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN
A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN
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A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN

JULIO-CLAUDIAN PERIOD, CIRCA 1ST CENTURY A.D.

细节
A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN
JULIO-CLAUDIAN PERIOD, CIRCA 1ST CENTURY A.D.
11 in. (28 cm.) high
来源
with La Reine Margot, Paris.
Dr. Anton Pestalozzi (1915-2007), Zurich, acquired from the above, 1977; thence by descent to the current owner.
出版
H. Jucker and D. Willers, eds., Gesichter: Griechische und römische Bildnisse aus Schweizer Besitz, Bern, 1982, pp. 96-97, no. 38.
I. Jucker, Skulpturen der Antiken-Sammlung Ennetwies, Mainz am Rhein, 1995, Band 1, pp. 37-38, no. 20, pls. 41-42.
Arachne Online Database no. 1082668.
展览
Bernisches Historisches Museum, Gesichter: Griechische und römische Bildnisse aus Schweizer Besitz, 6 November 1982-6 February 1983.
注意事项
These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

拍品专文

During the Julio-Claudian period, prviate citizens often imitated to varying degrees the hairstyles and even borrowed the facial features of prominent women of the imperial household for their own portraits. This female portrait represents a private individual, modeling a hairstyle first popularised by Agrippina Minor. The sitter's centrally parted coiffure with a dense mass of ringlets and strands ending in curls framing the face, continued in popularity into the Neronian-Flavian period in private portraiture, as for example in a portrait of Staia Quinta, a wealthy liberta (ex-slave), in the Ny Carlsberg Glypotek, Copenhagen (F. Johansen, Catalogue Roman Portraits I, 1994, no. 86).

更多来自 昔日面孔:Anton Pestalozzi 博士之古代雕塑珍藏(第二部分)

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