TAKASHI MURAKAMI (JAPAN, B. 1962)
村上隆(1962年生)

Antology

細節
村上隆
村上隆(1962年生)
Antology
壓克力 畫布 板
65 x 50 cm. (25 5/8 x 19 ¾ in.)
1998年作
款識:TAKASHI '98; TAKASHI FIRST IN QUALITY AROUND THE WORLD 及 TAKASHI CO. MADE IN JAPAN(畫背)
來源
日本 東京 小山登美夫畫廊
美國 紐約 瑪麗安.波斯基畫廊
美國 紐約 庫爾特.馬卡斯畫廊
私人收藏
富藝斯 倫敦 2011年6月28日 編號122
現藏者購自上述拍賣

榮譽呈獻

Sylvia Cheung
Sylvia Cheung

拍品專文

“When I first coined the term "superflat" it was not a positive characterization of Japanese culture but a criticism. After the war the hierarchy of society was flattened, everything became flat. In a sense democracy was achieved. But it was such a rigid flatness that if you ever rose above it you would be hit down like a nail hammered into the ground, and if you fell below they would try to scoop you back up. It was a very strange, unnatural flatness. So on the one side there was the social flatness, but then there was also the flatness of manga and anime, the story's flatness, the way images are created and the flatness of traditional paintings.” – Takashi Murakami

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