A BRONZE RITUAL TRIPOD WINE VESSEL, JUE
A BRONZE RITUAL TRIPOD WINE VESSEL, JUE
A BRONZE RITUAL TRIPOD WINE VESSEL, JUE
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A BRONZE RITUAL TRIPOD WINE VESSEL, JUE
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A BRONZE RITUAL TRIPOD WINE VESSEL, JUE

LATE SHANG DYNASTY, 12TH-11TH CENTURY BC

Details
A BRONZE RITUAL TRIPOD WINE VESSEL, JUE
LATE SHANG DYNASTY, 12TH-11TH CENTURY BC
The vessel is raised on three blade-form supports, and the sides are finely cast with two taotie masks divided by narrow flanges against a leiwen ground, one mask is further divided by a flange, while the other divided by the handle emerging from a bovine mask with a two-character inscription hui gui cast underneath. A pair of posts with waisted caps decorated with a band of cloud whorls below double raised bands rise from the mouth rim. The bronze has a mottled, milky green patina with malachite encrustation.
8 3/8 in. (21.3 cm.) high
Provenance
Rong Hou (1875-1945)
Dr Robert Heilbroner (1919-2005), New York, 1960s
H J Lowenthal, no. 110
Literature
Luo Zhenyu, Sandai jijin wencun (Surviving Writings from the Xia, Shang, and Zhou Dynasties), Beijing, 1937, juan 15, no. 28.6
Umehara Sueji, Kankarō kikkinzu, vol. 2, Kyoto, 1947, no. 27
Hayashi Minao, In shu jidai seidoki no kenkyu (Conspectus of Yin and Zhou Bronzes), vol. 1, Tokyo, 1984, p. 184, no. jue-229
Yan Yiping (ed.), Jinwen zongji (Corpus of Bronze Inscriptions), Taipei, 1983, no. 3531
Wang Xiantang, Guoshi jinshi zhigao (A Record of Bronze and Stone Inscriptions in Chinese History), Qingdao, 2004, no. 649.2
Yinzhou jinwen jicheng (Compendium of Yin and Zhou Bronze Inscriptions), revised edition, Beijing, 2007, p. 4303, no. 08067
Exhibited
Roger Keverne, London, Fine and Rare Chinese Works of Art and Ceramics Summer Exhibition 2010, London, 3 June 2010, Catalogue, pp. 8-9, no.2

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Priscilla Kong
Priscilla Kong

Lot Essay

Archaic bronze Jue are more often found with conical caps on the post rather than waisted caps as seen on the current example. Jue with conical caps on the post often date earlier than late Shang, such as the example dated to the 13th century BC in the Freer Gallery of Art and Arthur M. Sackler Gallery accession number: S1987.53. The current jue further distinguishes itself with the addition of flanges on the body, which is rarely seen together with waisted caps. For other jue examples with both of these attributes, compare with an example excavated from late-Shang royal tombs in Hejiazhuang, Anyang, Henan Province, now in the collection of the Institute of History and Philology, Academia Sinica, Taipei, collection number: R001051; one from the Eugene Fuller Memorial Collection in the Seattle Art Museum, accession number: 49.200; and one in the Freer Gallery of Art and the Arthur M. Sackler Gallery, accession number: S1987.53 (fig. 1). The first character of the inscription hui, does not appear to be found on any other extant archaic bronze vessels.

The present jue has been included in several important archaic bronzes publications, most notably in Luo Zhenyu’s seminal work Sandai jijin wencun, and in Kankarō kikkinzu, a catalogue of archaic bronzes in the collection of the late-Qing, early-Republican, and Manchuko politician Rong Hou compiled by the Japanese eminent archaeologist Umehara Sueji, respectively.

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