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Lot Essay
Ce paravent est à rapprocher de l’oeuvre du laqueur japonais Katsu Hamanaka (1895-1982), comme le suggère Béatrice Prieur dans sa thèse de doctorat dédiée à la place de la laque dans l’entre-deux-guerres. Il s’apparente à la période abstraite de son travail, où les lignes géométriques se marient aux efets de matière des fonds.
The screen refers to the work of the Japanese lacquer Kastu Hamanaka (1895-1982), as suggested by Bétatrice Prieur in her thesis about lacquer during the interwar period. It shows a kinship with his abstract period, where he associated geometrical lines to the material efects of the lacquer of the backgrounds.
The screen refers to the work of the Japanese lacquer Kastu Hamanaka (1895-1982), as suggested by Bétatrice Prieur in her thesis about lacquer during the interwar period. It shows a kinship with his abstract period, where he associated geometrical lines to the material efects of the lacquer of the backgrounds.