Studio of John Hoppner (London 1758-1810)
Studio of John Hoppner (London 1758-1810)
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Studio of John Hoppner (London 1758-1810)

Portrait of William Pitt the Younger (1759-1806), three-quarter-length, in a black coat, with the robe of the Chancellor of the Exchequer

细节
Studio of John Hoppner (London 1758-1810)
Portrait of William Pitt the Younger (1759-1806), three-quarter-length, in a black coat, with the robe of the Chancellor of the Exchequer
oil on canvas
56 ¾ x 47 ½ in. (144.1 x 120.6 cm.)
in a contemporary gilt composition frame
来源
Hubert George de Burgh-Canning, 2nd Marquess of Clanricarde (1832- 1916), by whom bequeathed to his great-nephew,
Henry George Charles Lascelles, 6th Earl of Harewood (1882-1947), and by descent at Harewood House to the present owner.
出版
T. Borenius, Catalogue of the Pictures at Harewood House, Oxford, 1936, p. 141, no. 333, as 'after John Hoppner'.
注意事项
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

拍品专文


It is highly likely that this portrait was one of the earlier studio replica's of Hoppner's portrait of William Pitt. The prime version is considered to be that commissioned in 1804 by the Lord Mulgrave, now hanging at Cowdray Park. After it's completion, the painting remained in Hoppner's studio to allow artist George Clint to produce an engraving. It was still here at the time of Pitt's death in 1806, at which point twenty copies of the work were requested by friends of the Prime Minister. However, the present version possibly pre-dates Pitt's death, coming, as it does, from the collection of the Marquess of Clanricarde. The 1st Marquess had married Harriet, daughter of the Prime Minister George Canning, one of Pitt's closest friends. The portrait may have entered the collection by inheritance from Canning, who would have been one of the earliest commissioners of a studio copy.

We would like to thank Dr John Wilson for his help in compiling this entry.

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