A PAIR OF ITALIAN GILTWOOD STOOLS
A PAIR OF ITALIAN GILTWOOD STOOLS
A PAIR OF ITALIAN GILTWOOD STOOLS
A PAIR OF ITALIAN GILTWOOD STOOLS
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A SET OF FOUR ROMAN BAROQUE STOOLS
A PAIR OF ITALIAN GILTWOOD STOOLS

ROME, CIRCA 1700-1720

細節
A PAIR OF ITALIAN GILTWOOD STOOLS
ROME, CIRCA 1700-1720
Each shaped rectangular rest covered in original silver thread-embroidered velvet, on foliate scrolled legs, the front legs headed with fully sculpted masks and joined by an X-stretcher carved with C-scrolls and centered by a mask
23 in. (58.5 cm.) high, 28 ½ in. (72.5 cm.) wide, 23 in. (958.5 cm.) deep
來源
Mrs. Henry Breyer, New York.
出版
Walker, Stephanie and Hammond, Frederick: Life and Arts in Baroque palaces of Rome: Ambiente Barocco; Yale University Press, New Haven, 1999. N. 40, pages 169-170, illustrated p. 170.
Feigenbaum, Gali: Display of Art in the Roman Palace; The Getty Research Institute, Los Angeles, 2014, pages 8-9, illustrated fig. 8.
展覽
Bard Graduate Center, New York, Life and the Arts in the Baroque Palaces of Rome: Ambiente Barocco, June 1999.
The Nelson Atkins Museum: August 1999.

榮譽呈獻

Victoria Tudor
Victoria Tudor

拍品專文

These vigorously sculptural stools are testament to the ingenuity of the disegnatori and the enviable abilities of the intagliatori of Baroque Rome. The inclusion of the putto heads on the legs is typical of the late Roman Baroque and can be found on a myriad of chairs, mirrors, and consoles, see E. Colle, Il Mobile Barocco in Italia, Milan, 2000, pp. 124-127; A. González-Palacios, Arredi e Ornamenti alla Corte di Roma, Milan 2014, pp. 164-165, and G. Lizzani, Il Mobile Romano, Novara, 1997, p. 92, fig. 151. Interestingly, these putti are only placed on the front legs, indicating that these stools were to be viewed from the front and were to be placed against the wall, probably along a long gallery typical to Roman architecture, for instance in the Palazzo Colonna and the Palazzo Doria-Pamphilj. The tradition of placing furniture along the walls was not specific to Italy but was a widespread European custom that persisted well into the eighteenth century, until the appearance of the rococo.

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