A PAIR OF NORTH ITALIAN WALNUT AND PARCEL-GILT GUERIDONS A TRESPOLO
A PAIR OF NORTH ITALIAN WALNUT AND PARCEL-GILT GUERIDONS A TRESPOLO
A PAIR OF NORTH ITALIAN WALNUT AND PARCEL-GILT GUERIDONS A TRESPOLO
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A PAIR OF NORTH ITALIAN WALNUT AND PARCEL-GILT GUERIDONS A TRESPOLO

VENICE, CIRCA 1740

細節
A PAIR OF NORTH ITALIAN WALNUT AND PARCEL-GILT GUERIDONS A TRESPOLO
VENICE, CIRCA 1740
Each with yellow Verona marble top in a serpentine frame with a stippled foliate border and a shell and C-scroll apron on a cabochon and husk-carved support and three down-curved legs
32 in. (81.5 cm.) high, 21 ½ in. (54.5 cm.) wide, 21 in. (53.5 cm.) deep
注意事項
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

榮譽呈獻

Victoria Tudor
Victoria Tudor

拍品專文

Typical to Venetian workshops, tripod, or a trespolo, consoles and guéridons, were produced in different materials such as carved walnut, giltwood, and lacquer. For a variety of such consolle and giridoni, see S. Levy, Il Mobile Veneziano del Settecento, Vol. II , Milan, 1964, figs. 278-285. Because of their light weight and portability, tripod tables were very popular. Tripod consoles, such as those offered here, were by nature immobile and thus more often topped with inset marble panels. This was particularly true to those executed in giltwood. A comparable pair of giltwood consoles a trespolo with inset marble tops from the estate of the late Giuseppe Rossi was sold Sotheby’s, London, 10-12 March, 1999, lot 111 (£45,500).

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