ITALIAN SCHOOL, AFTER THE ANTIQUE
These lots have been imported from outside the EU … Read more PROPERTY FROM A SOUTH AMERICAN COLLECTION (LOTS 263-268)
PIETRO BAZZANTI (ITALIAN, 1825-1895), AFTER THE ANTIQUE

Venus de' Medici, lifesize

Details
PIETRO BAZZANTI (ITALIAN, 1825-1895), AFTER THE ANTIQUE
Venus de' Medici, lifesize
signed 'P. Bazzanti/ Florence'
white marble
63 in. (160 cm.) high; 18 in. (45.5 cm.) wide; 17 ½ in. (44.5 cm.) deep
Circa 1890.
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
Sale room notice
Please note that this marble is by Pietro Bazzanti, bears his signature, and dates circa 1890, and not as stated in the printed catalogue.

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Paul Gallois

Lot Essay

Although first documented in 1638, when she was recorded in a book of engravings of the most beautiful antique statues in Rome, the Venus was almost certainly known in the 16th century. Today some scholars believe that the marble is a first century B.C. copy of of an earlier bronze. (Haskell and Penny, Taste and the Antique, New Haven, 1981, pp. 326-328)
Originally housed in the Villa Medici, the marble was transferred to Florence in 1677, and by 1688 had taken pride of place in the Tribuna of the Uffizi. When Napoleon's armies were threatening Italy, it was among the treasures moved to the south of Italy for safe keeping, but it was eventually claimed by the French and was shipped to Paris where it remained between 1803 and 1815. After Napoleon's defeat, it was returned to the Tribuna of the Uffizi in Florence, where it remains today.

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