The Three Graces

細節

AFTER ANTONIO CANOVA (ITALIAN, 1757-1822)
The Three Graces
bronze, dark brown patina
32 ½ in. (82.5 cm.) high; 19 ¼ in. (49 cm.) wide
The original model conceived circa 1813.
This bronze reduction Italian, late 19th century.

注意事項

These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

業務規定

榮譽呈獻

Paul Gallois

pgallois@christies.com +44 (0)20 7389 2260

拍品專文

This cast after Antonio Canova's magnum opus The Three Graces, depicts the nymphs Aglaia, Euphrosyne and Thalia, the three daughters of Zeus who were often associated with the goddess of love, Aphrodite. Respectively, they represented elegance, mirth and youth, and beauty as well as the three phases of love: Beauty, arousing Desire, leading to Fulfilment.
Canova's composition was inspired by the Antique model where the figures of Aglaia and Euphrosyne face forwards, while the central figure, Thalia, faces away. However, upon receiving a commission from Empress Josephine de Beauharnais in 1812, the prolific neo-classical sculptor Antonio Canova modified the composition and created, as Stendhal commented un nuovo tipo de bellezza (M. Praz, L'opera completa del Canova, Milan, 1976, no. 270), by twisting the central figure so that she would face the onlooker, and by drawing the sisters closer together, in a warmer, intimate, and arguably more seductive embrace.

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