A GUAN-TYPE MALLET VASE
A GUAN-TYPE MALLET VASE
1 More
A GUAN-TYPE MALLET VASE

CHINA, QING DYNASTY, YONGZHENG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1723-1735)

Details
A GUAN-TYPE MALLET VASE
CHINA, QING DYNASTY, YONGZHENG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1723-1735)
With slightly tapering cylindrical body rising to an angled shoulder below the tall cylindrical neck surmounted by a galleried mouth rim, covered with a greenish-blue glaze suffused with a golden-brown crackle, the foot rim covered with a black wash
6 ½ in. (16.5 cm.) high
Provenance
R. G. Hill, Merrydown Cottage, Wray Lane, Reigate, Surrey, June 1966.
Bluett & Sons, London, 14 October 1966.
The James and Marilynn Alsdorf Collection, Chicago.

Lot Essay


The beauty of Song-dynasty glazes was greatly admired by the emperors of the Qing dynasty, and the potters at the imperial Jingdezhen kilns were charged with the task of reproducing these glazes on porcelain. The glaze seen on this elegantly potted vase is an interpretation of Guan ware, one of the most highly sought after and treasured wares of the Song dynasty. The mallet shape is also based on Song-dynasty prototypes, such as the Longquan celadon ‘kinuta’ vase, Southern Song dynasty (1127-1279), sold at Christie’s Hong Kong, 26 November 2018, lot 8007.

Other Song-dynasty inspired glazes on mallet-shaped vases were emulated during the Yongzheng reign. A Ge-type example with straight neck, Yongzheng six-character seal mark and of the period, was sold at Christie’s Hong Kong, 27 November 2013, lot 3201, and another is illustrated by Bo Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, p. 75, no. 194.

More from Sacred and Imperial: The James and Marilynn Alsdorf Collection Part II

View All
View All