A TRANSCAUCASIAN BRONZE WILD GOAT RATTLE STANDARD
A TRANSCAUCASIAN BRONZE WILD GOAT RATTLE STANDARD

CIRCA 13TH-12TH CENTURY B.C.

Details
A TRANSCAUCASIAN BRONZE WILD GOAT RATTLE STANDARD
CIRCA 13TH-12TH CENTURY B.C.
10 ¼ in. (26 cm.) high
Provenance
with Mathias Komor, New York (Inv. no. M795).
Howard (1924-1992) and Saretta (1928-2017) Barnet, New York, acquired from the above, 1966; thence by descent.
The Shape of Beauty: Sculpture from the Collection of Howard and Saretta Barnet, Sotheby's, New York, 14 May 2018, lot 6.
Literature
E.C. Bunker, et al., "Animal Style:" Art from East to West, New York, 1970, p. 55, no. 24, pl. 42.
Exhibited
New York, Asia House Gallery; Philadelphia, University of Pennsylvania, The University Museum; San Francisco, M.H. de Young Memorial Museum, “Animal Style:” Art from East to West, 15 January-19 July 1970.

Brought to you by

Book an appointment
Book an appointment

Lot Essay

The goat stands with its legs slightly folded in, its massive body with stylized modeling to the musculature. The head has a long muzzle with a slightly open mouth, with a ring below the lower jaw, indented pellet eyes, short pointed ears and a tuft of hair projecting forward before the long, backward curving horns. Each side has a triangular perforation, and there is an open slit at the chest; the hollow interior contains loose balls that chime from movement. The goat is inserted into a separately-cast shaft ornamented vertically with running spirals and four projecting bud-shaped elements, two at the base and two near the top.

For a nearly identical goat on an anchor-shaped shaft, see the example from Artic in Shirak Province, Armenia, no. 26 in P. Avetisian, et al., Splendeurs de l'Arménie antique: Au pied du mont Ararat.

More from Antiquities

View All
View All