QUR'AN
QUR'AN
QUR'AN
1 More
QUR'AN
4 More
No VAT on hammer price or buyer's premium.
QUR'AN

SIGNED MAHMUD BIN 'ABDU'L-WALI AL-DEFTERI, OTTOMAN TURKEY, CONSTANTINOPLE, DATED AH 1000/1591-92 AD

Details
QUR'AN
SIGNED MAHMUD BIN 'ABDU'L-WALI AL-DEFTERI, OTTOMAN TURKEY, CONSTANTINOPLE, DATED AH 1000/1591-92 AD
Arabic manuscript on paper, 488ff., plus five flyleaves, 11ll. of neat black naskh, tajwid in red, within gold and black rules, gold and polychrome roundel verse markers, suras marked by gold and polychrome illuminated panels, gold and polychrome marginal medallions marking 'ashr, hizb, sajda and juz', opening bifolio illuminated in gold and polychrome framing 7ll. of black naskh, unusually long colophon signed and dated, minor areas of staining, in gilt stamped brown morocco with flap, yellow paper doublues
Text panel 4 x 2 3/8in. (10.1 x 5.9cm.); folio 6 ½ x 4 ½in. (16.5 x 11.4cm.)
Special notice
No VAT on hammer price or buyer's premium.
Sale room notice
Please note that the scribe of this manuscript is not the same as Nazli Mahmud Efendi whose biography is given in the final paragraph of the note to this lot in the printed catalogue.

Brought to you by

Sara Plumbly
Sara Plumbly

Lot Essay

This Qur’an includes an unusually long colophon which provides a valuable insight into the scribe’s careful process in copying the text. The scribe’s name is given as al-khattat (calligrapher) Mahmud bin Abdu’l-Wali al-Defteri, formerly a treasurer in the Divan al-‘Ali. Defteri, wrote this Qur’an in 1591-92 during the reign of Sultan Murad III (r.1574-95).

In this manuscript, he goes into great detail on how he prepared his pens in order to write. Upon completion of a previous Qur’an and realising that the pen had not been damaged, he was eager to start writing this Qur’an with the same pen. However, circumstances compelled him to stop writing when he arrived at sura Yusuf, so he stored the pen in a pen-box. He commenced again in the month of Muharram of the year AH 1000 with the same pen, and completed the Qur’an on the 15th of Safar of that year. He concludes by stating that he was able to write two Qur’ans with the same pen preceded by three Qur’ans each of which he wrote with one pen. The care with which our scribe approached his tools is clearly reflected in the masterfully executed, neat naskh in this manuscript.

More from Art of the Islamic and Indian Worlds Including Oriental Rugs and Carpets

View All
View All