Lot Essay
This work, dating from the 1970s or early 1980s, is known to have been retained in John Piper’s studio at his home at Fawley Bottom until the late 1990s: it is visible in situ in photographic records which were made a few years after the artist’s death. Whether or not Piper had conceived the work with such a project in mind, it was used as the basis of a large tapestry which features as the backdrop in a photographic portrait of the artist, made in 1990, by Nicholas Sinclair (b. 1954).
We are very grateful to Rev. Dr Stephen Laird FSA for preparing this catalogue entry.