Lot Essay
Coromandel lacquer, or kuancai, emerged in the 16th century in China aimed at the domestic market. It was a new innovation and a challenge for Chinese lacquer craftsmen to produce large and highly decorative screens more economically, in order to replace the very expensive and labour-intensive lacquer screens decorated with mother-of-pearl inlays. The borders of the present screen may be stylistically compared with the twelve-panel Coromandel lacquer screen from the Kangxi period in the Victoria and Albert Museum illustrated by W. De Kesel and G. Dhont in Coromandel Lacquer Screens, ill. 23, pps 36-37. Similarly, some of the scenes on the reverse of the present screen bear comparsion to the screen in the Asian Art Musuem of San Francisco decorated with the "Eight Views of Hangzhou", and illustrated in the same publication, ill. 47, p 71.