Maso Finiguerra (Florence 1426-1464)
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Maso Finiguerra (Florence 1426-1464)

A boy wearing a hat, in profile to the left

細節
Maso Finiguerra (Florence 1426-1464)
A boy wearing a hat, in profile to the left
black chalk, pen and brown ink, brown wash, irregularly cut at left
2 5/8 x 2 1/8 in. (6.8 x 5.4 cm)
來源
Pelli-Fabbroni Collection, Florence.
De Sanctis Collection; W. Kundig, Geneva, 22 November 1947, lot 207 (SF 2100, as Antonio Pollaiuolo).
Anonymous sale; Galerie Fischer, Lucerne, 12 November 1986, lot 245 (as Italian School, Circle of Pollaiuolo, circa 1500), where acquired by Robert Landolt.
出版
B. Degenhart and A. Schmitt, Corpus der italienischen Zeichnungen, 1300-1450, I, Süd und Mittelitalien, Berlin, 1968, II, p. 597, fig. 869 (as Florence circa 1460-1470, from the ‘Finiguerra Group’).
R. Kubiak, Maso Finiguerra, Ph.D. dissertation, University of Virginia, 1974, p. 184 (as not by Maso Finiguerra)
L. Melli, Maso Finiguerra. I disegni, Florence, 1995, no. 140, fig. 156.
F. Grisolia, 'Per Maso Finiguerra. Sulle tracce di un ''libretto in quarto di disegni''', Mitteilungen des Kunsthistorischen Institutes in Florenz, LX, 2018, no. 2, fig. 17, p. 305 and 308.
注意事項
These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
拍場告示
Please note that there is additional literature for this lot which is not stated in the printed catalogue:
F. Grisolia, 'Per Maso Finiguerra. Sulle tracce di un ''libretto in quarto di disegni''', Mitteilungen des Kunsthistorischen Institutes in Florenz, LX, 2018, no. 2, fig. 17, p. 305 and 308.

拍品專文


Emerging from the workshop of Antonio Pollaiuolo, Maso Finiguerra became one of the most innovative Florentine draughtsmen of the Early Renaissance. Gracefully executed in his typically neat, linear manner, the sheet relates to his numerous portraits in profile of young men and children now in the Uffizi. Outlined and pasted into albums, most of his sheets from the Pelli-Fabbroni collection in Florence survive in a similar fragmentary state (see Melli, op. cit., nos. 77-79, 141-42, 148, ill.).

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