FU BAOSHI (1904-1965)
FU BAOSHI (1904-1965)
FU BAOSHI (1904-1965)
FU BAOSHI (1904-1965)
3 更多
PROPERTY FROM A FRENCH PRIVATE COLLECTION
傅抱石 三蘇圖 設色紙本 鏡框題識:新喻傅抱石金陵寄寓寫鈐印:抱石私印、往往醉后

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細節
傅抱石 三蘇圖 設色紙本 鏡框
題識:新喻傅抱石金陵寄寓寫
鈐印:抱石私印、往往醉后
Dimensions de la peinture: 40 x 30 cm. (15 ¾ x 11 ¾ in.)
來源
法國使館專員舊藏,其于1948至1952年代閒任職南京及上海
隨後饋贈于現藏家父母,現法國家族後代傳承
更多詳情
FU BAOSHI (1904-1965)
Three scholars
FRAMED SCROLL, INK AND COLOUR ON PAPER

榮譽呈獻

Tiphaine Nicoul
Tiphaine Nicoul

拍品專文

The three male characters of the painting could be the Song literati Su Shi, his father Su Xun and brother Su Zhe, known collectively as the Three Su. “Reconstruction of a certain beautiful story from history” was a source of inspiration for Fu’s painting activity during the 1940’s. Fu invoked history to seek out the enduring virtues of figures from the past and cited poems to encourage meditation on legends, as a vehicle to express loyalty to and sorrow for China. The expressive power lay less in high-spirited heroism than in the romantic sadness the images convey, which heightens the viewer’s attention to the human psychological drama.
Fu depicts this scene with free, spontaneous brushwork, rendering the figures with swift, jagged outlines, pale ink tones, and dark accents for details of the robe, with the pale orange rocks contrasting the solemnity of the protagonists.

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