A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA
A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA
A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA
A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA
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THE JAMES AND MARILYNN ALSDORF COLLECTION
A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA

PROBABLY SWAT VALLEY, 7TH-8TH CENTURY

Details
A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA
PROBABLY SWAT VALLEY, 7TH-8TH CENTURY
6 in. (15.2 cm.) high
Provenance
The collection of Julian Sherrier (1929-2012), London, by 1983.
Spink and Son, Ltd., London, 1983.
The James and Marilynn Alsdorf Collection, Chicago.
Literature
P. Pal, A Collecting Odyssey, New York, 1997, pp. 50 and 284, no. 56.
P. Pal, Himalayas: an Aesthetic Adventure, Chicago, 2003, p. 98, no. 56.
P. Pal, The Arts of Kashmir, New York, 2007, p. 83, fig. 82.
Himalayan Art Resources, item no. 24653.
Exhibited
The Art Institute of Chicago, “A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection,” 2 August-26 October 1997, no. 56.
The Art Institute of Chicago, "Himalayas: An Aesthetic Adventure," 5 April - 17 August 2003; The Freer Gallery of Art & Arthur M. Sackler Gallery, 18 October 2003 - 11 January 2004, no 56.
Asia Society Museum,"The Arts of Kashmir," 1 October 2007 - 6 January 2008, no. 81.

Sale room notice
Please note early versions of the e-catalogue omitted that this Lot was exhibited and published in Himalayas: An Asthetic's Adventure in 2003 and The Arts of Kashimir in 2007.

Lot Essay

The present work belongs to a small corpus of bronzes which are believed to have been cast in the Swat Valley or the surrounding areas of the Hindu Kush in the centuries after the desolation of the Buddhist institutions of Gandhara by the Hephthalites in the fifth and sixth centuries. Such bronzes are distinguished by the dark, almost blackish color of the bronze alloy, and by the languid and curvaceous proportions of the figures, a direct influence of the burgeoning Gupta style that originated in central India. Compare, for example, with a bronze figure of Padmapani originally in the collection of Richard Ravenal, illustrated by U. von Schroeder in Indo-Tibetan Bronzes, Hong Kong, 1981, p. 83, no. 5A. See, also, two additional bronze figures of Padmapani, one originally in the Pan Asian Collection, illustrated by U. von Schroeder in ibid., p. 83 and 91, nos. 5C and 9D. The presence of Buddhist bronzes alongside images of Hindu deities, such as the present bronze or the famous Vaikuntha Vishnu in the collection of the Museum für Indische Kunst illustrated by U. von Schroeder in ibid., p. 83, no. 5E, demonstrates that the practice of both religions was firmly established in the region despite the political and cultural strife of the Hunnic invasions.

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