AN ILLUSTRATION TO A SUNDAR SHRINGAR SERIES: RADHA IN CONVERSATION WITH HER ATTENDANT
AN ILLUSTRATION TO A SUNDAR SHRINGAR SERIES: RADHA IN CONVERSATION WITH HER ATTENDANT
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AN ILLUSTRATION TO A SUNDAR SHRINGAR SERIES: RADHA IN CONVERSATION WITH HER ATTENDANT

GULER, PUNJAB HILLS, NORTH INDIA, CIRCA 1780-85

細節
AN ILLUSTRATION TO A SUNDAR SHRINGAR SERIES: RADHA IN CONVERSATION WITH HER ATTENDANT
GULER, PUNJAB HILLS, NORTH INDIA, CIRCA 1780-85
Opaque pigments heightened with gold on paper, within dark blue margins, the reverse with 5ll. of black and red devanagari, with flyleaf with numbered royal Mandi collection stamp
Painting 5 5/8 x 9 ¼in. (14.2 x 23.5 cm); folio 7 ¾ x 11 ¼in. (19.7 x 28.6cm.)
來源
Royal Mandi Collection
Private collection, Germany, 1960s
Anon. sale, Sotheby's, New York, 20 September 2005, lot 109
出版
Goswamy, B.N. and Fischer E., Pahari Masters - Court Painters of Northern India, Artibus Asiae, Zurich, 1992
Goswamy, B.N. and Fischer E., 'The First Generation after Manaku and Nainsukh of Guler' in Masters of Indian Painting, Artibus Asiae, Zurich, 2011
注意事項
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

榮譽呈獻

Behnaz Atighi Moghaddam
Behnaz Atighi Moghaddam Head of Sale

拍品專文

The present illustration is from the Sundar Shringar, a poetic text composed in the early seventeenth century by the poet Sundar Das. The poem details the various moods of love and the classification of literary heroes and heroines (nayaka-nayika bheda). The subject matter is comparable to other literary texts such as the Rasikapriya of Keshav Das and the Rasamanjari of Bhanudatta with Krishna and Radha as the protagonist lovers illustrating various stages of passion and romance.
The Sundar Shringar series with its landscape format and delicate, refined style is closely comparable to the ‘Second Guler’ or Tehri-Garhwal Gita Govinda series of 1765-70. The scenes of the Sundar Shringar are illustrated in architectural settings instead of the lush green landscapes of the Gita Govinda. (J. P. Losty et. al., A Mystical Realm of Love: Pahari Paintings From the Eva and Konrad Seitz Collection, 2017, p.291).
An illustration from the same series sold in these Rooms, 24 October 2019, lot 131. For further pages from this series which have sold at auction, see Bonhams, London, 23 October 2018, lot 149; Sotheby’s, New York, 19 September 2008, lots 201-204; 19 March 2008, lots 205-208; 19 September 2006, lots 1-5; 29 March 2006, lot 149-152; 20 September 2005, lots 106-108; 1 April 2005, lots 110-113.

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