AN ATTIC BLACK-FIGURED EYE-CUP
AN ATTIC BLACK-FIGURED EYE-CUP
AN ATTIC BLACK-FIGURED EYE-CUP
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AN ATTIC BLACK-FIGURED EYE-CUP
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PROPERTY FORMERLY IN THE COLLECTION OF CORNELIUS VANDERBILT II (1843-1899)
AN ATTIC BLACK-FIGURED EYE-CUP

ATTRIBUTED TO THE GROUP OF THE COURTING CUPS, CIRCA 520 B.C.

Details
AN ATTIC BLACK-FIGURED EYE-CUP
ATTRIBUTED TO THE GROUP OF THE COURTING CUPS, CIRCA 520 B.C.
8 3/8 in. (21.2 cm.) diameter, excluding handles
Provenance
Cornelius Vanderbilt II (1843-1899), acquired circa 1890s for his home at 1 West 57th St., New York; thence by descent to his wife, Alice Claypool Vanderbilt (1835-1934), New York, and transferred to The Breakers, Newport, RI, 1926; thence by descent to her daughter, Gladys Moore Vanderbilt, Countess Széchenyi (1886-1965), The Breakers; thence by descent to her daughter, Countess Sylvia Anita Gabriel Denise Irene Marie "Sylvie" Széchényi, Countess Szapary (1918-1998), The Breakers; thence by descent to the current owners.
Literature
"Vanderbilt's Vases," Archaeology 46, no. 1, 1993, pp. 26-28.

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Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

Lot Essay

The Group of the Courting Cups comprises more than fifty black-figured eye-cups of Type A, which nearly always feature either courting scenes, as here, or a horseman (see p. 82 in J.D. Beazley, Paralipomena). Regarding the courtship scenes, according to L.A. Beaumont (pp. 63-65, “The Changing Face of Childhood,” in J. Neils and J.H. Oakley, eds., Coming of Age in Ancient Greece), “in the context of ancient Athens the age difference between the two lovers was of paramount importance, for their homoerotic relationship was considered to provide not only pleasure for the adult male but also both a sexual initiation for the boy, and, through the adult male lover, a role model for the aristocratic ideals and conduct to which the growing youth should aspire.”

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