A ROMAN MARBLE FRAGMENTARY HEAD OF MINERVA
A ROMAN MARBLE FRAGMENTARY HEAD OF MINERVA
A ROMAN MARBLE FRAGMENTARY HEAD OF MINERVA
A ROMAN MARBLE FRAGMENTARY HEAD OF MINERVA
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A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN

CIRCA 1ST CENTURY A.D.

Details
A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN
CIRCA 1ST CENTURY A.D.
15 ½ in. (39.2 cm.) high
Provenance
The Property of a Lady; Fine Antiquities, Christie's, London, 17 and 18 November 1977, lot 433.
with Galerie Nina Borowski, Paris.
Swiss private collection, acquired from the above in 1984.
Antiquities, Christie’s, 13 October 2008, London, lot 199.
Mougins Museum of Classical Art, France, acquired from the above sale.
Literature
J. Chamay, et al, Le Monde des Césars, Geneva, 1982, p. 330 (advert in exhibition catalogue).
J. Pollini, “Roman Marble Sculpture”, in M. Merrony (ed.), Mougins Museum of Classical Art, 2011, p. 88, fig. 29.
Exhibited
Mougins Museum of Classical Art, June 2011 – April 2020 (no. MMoCA34).

Brought to you by

Claudio Corsi
Claudio Corsi Specialist, Head of Department

Lot Essay

Although the articulation of the eyes is a later addition this Julio-Claudian portrait bears similarities with portraits of Livia 58 B.C.-29 A.D.), wife of Augustus Caesar and mother of Tiberius; the lips indented at the corners, the sturdy chin, oval face and her wavy hair centrally parted and drawn back. The epitome of the dignified Roman matron, she was usually depicted with severely conservative hairstyles, little jewellery and often wearing the stola (veil) over the back of the head. Similar Livia portraits can be found in the Ny Carlsberg Glyptotek, Copenhagen, the Capitoline Museum, Rome, and the St Petersburg State Hermitage museum.
Also see E. Bartman, Portraits of Livia, Imaging the Imperial Woman in Augustan Rome, where four distinctive portrait types of the Empress are identified that correspond to different points in time.

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