GIOVANNI ALBERTI (BORGO SAN SEPOLCRO 1558-1601 ROME)
This lot is offered without reserve. PROPERTY FROM THE COLLECTION OF DIANA METCALF STAINOW
GIOVANNI ALBERTI (BORGO SAN SEPOLCRO 1558-1601 ROME)

Design for a decorative frieze with the emblem of Pope Sixtus V, and allegorical figures including Astronomy, flanked by putti (recto); An architectural study (verso)

Details
GIOVANNI ALBERTI (BORGO SAN SEPOLCRO 1558-1601 ROME)
Design for a decorative frieze with the emblem of Pope Sixtus V, and allegorical figures including Astronomy, flanked by putti (recto); An architectural study (verso)
black chalk, pen and brown ink, brown wash, red chalk (recto); black chalk (verso), watermark (fragment)
7 ½ x 21 ¾ in. (19 x 55 cm)
Provenance
Private collection, Prato, by 1984.
Anonymous sale; Sotheby's, London, 29 January 1997, lot 24 (as Cherubino Alberti).
with Kate de Rothschild, London; from whom acquired in 1997 by the present owner.
Literature
K. Herrmann-Fiore, Disegni degli Alberti, Rome, 1984, p. 105, under no. 48, fig. rif. 48.
Special notice
This lot is offered without reserve.

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Lot Essay


Attributed to Giovanni Alberti by Kristina Herrmann-Fiore in her 1984 exhibition catalogue of the Alberti family’s graphic production, in which she reexamined the stylistic differences between the different family members, including the brothers Giovanni and Cherubino Alberti. Giovanni and Cherubino often worked on the same decorative projects in Rome, exploring similar decorative motifs in their drawings. An example of this collaboration is the decoration of the Sala del Concistoro in the Vatican, commissioned by Pope Sixtus V(1521-1590), executed between 1585 and 1590. Showing the papal emblem to the left in the frieze composition, the present drawing directly relates to this decoration. Hermann-Fiore attributed the sheet to Giovanni Alberti, in contrast to a similar design for a frieze by Cherubino of the same date in the Istituto Centrale per la Grafica, Rome (inv. F.N 12). A very comparable design by Giovanni was formerly in the Horvitz collection (sale Sotheby's, New York, 23 January 2008, lot 9). Stylistically, the present sheet also is comparable with an architectural design in the Louvre, Paris (inv. 1371; see Herrmann-Fiore, op. cit., p. 106, under no. 48).

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