A LARGE GRAY SCHIST FIGURE OF A BODHISATTVA
PROPERTY FROM THE JAMES AND MARILYNN ALSDORF COLLECTION
古犍陀羅 二/三世紀 灰片岩雕菩薩立像

ANCIENT REGION OF GANDHARA, 3RD-4TH CENTURY CE

細節
古犍陀羅 二/三世紀 灰片岩雕菩薩立像
62 in. (157.5 cm.) high
來源
Parke Bernet藝廊,紐約,1971年4月3日,拍品編號65。
詹姆斯及瑪麗蓮・阿爾斯多夫珍藏,芝加哥。
出版
P. Pal,《A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection》,芝加哥,1997年,頁125及307,圖錄編號154。
展覽
芝加哥藝術博物館, A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection,1997年8月2日至10月26日,圖錄編號154。

拍品專文

The present figure, as indicated by the lotus held in the left hand, represents Padmapani, a manifestation of the bodhisattva, Avalokiteshvara. The origins and importance of Padmapani and other bodhisattvas were developed with the rise of Mahayana Buddhism; he represents the compassion of all Buddhas. Alongside the Buddha and the bodhisattva Maitreya, Avalokiteshvara is considered one of the principle deities of early Gandharan Buddhism. The base of the figure displays a scene depicting a homa, or fire ritual, performed by a monk with three participants, one of whom is female. During such rituals, the priest would pour ghee, or clarified butter, and various ointments onto the blaze lit within the cauldron.

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