A SILVER-INLAID BRASS TRAY STAND
A SILVER-INLAID BRASS TRAY STAND
A SILVER-INLAID BRASS TRAY STAND
3 更多
A SILVER-INLAID BRASS TRAY STAND
6 更多
This lot has been imported from outside of the UK … 顯示更多 A ROYAL MAMLUK TRAY STAND
A SILVER-INLAID BRASS TRAY STAND

MAMLUK EGYPT, MID-14TH CENTURY

細節
A SILVER-INLAID BRASS TRAY STAND
MAMLUK EGYPT, MID-14TH CENTURY
Of cylindrical form slightly flaring at both ends from the raised central ridge to the upper and lower everted flanges, the body engraved and inlaid with silver with two bands of thuluth interrupted by a foliate medallion roundel, a band of floral arabesques around the central ridge, the lower flange with a band of arabesques, traces of silver inlay remaining
10 ½in. (26.8cm.) high
來源
Private East European Collection, 1973-1998
Private East European Collection, 1998-2013
Acquired by the current owner in 2013
刻印
In the upper register, continuing on the lower register, al-maqarr al-ali al-maliki / al-kafili al-ghiyathi al-ajalli / al-amili al-alimi al-muth[a/ghir]i (al-murabiti?) al-dhukhri al-maliki al-maliki
‘The high authority, the possessor, the vice-royal, the succour, the most splendid, the diligent, the wise, the protector of frontiers (the defender?), the treasure house (of excellence), the royal, the possessor’
Later owner's inscription around the base: al-sharafi(?) bin al-hanafi(?)

注意事項
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

榮譽呈獻

Behnaz Atighi Moghaddam
Behnaz Atighi Moghaddam Head of Sale

拍品專文

The tray stand is one of the better known of Mamluk forms, even though not that many survive to the present day. Those that do show a clear progression in form. The earliest examples, which can be dated to the late 13th century, are much shorter, more purely cylindrical, and heavier cast. The earliest known of this form, formerly in the Charles Schefer Collection, was made for the Amir Aydamur al-Zardkash (d.1300 or 1314) (deaccessioned by the Los Angeles Museum of Art, Christie’s London, 15 October 2002, lot 134). Intermediate stages are shown by an example in the L A Mayer Memorial Museum, Jerusalem, and one in the Furusiyya Collection (inv.no.R-2088). There is then a group that have much broader inscriptions, and a more clearly biconical form, a number of which can be associated with the reign of Sultan al-Malik al-Nasir Muhammad (r.1293-1341 with interregna). Many of these are discussed in an article by John Carswell (John Carswell, 'An Early Ming Porcelain Stand from Damascus', Oriental Art, Autumn 1966, vol. XII, no.3, pp.176-182). The latest of the form, which continue the same basic characteristics as the previous group, seem to come from the reign of Sultan Hassan (r.1347-1351 and 1355-1361), for an example see the Nuhad es-Said Collection (James Allan, Islamic Metalwork, The Nuhad es-said Collection, London, 1982, no.19, pp.96-7).

This example seems to have the more attenuated proportions and the very strong vertical hastae of the inscription of the later examples of this sequence, and can thus be dated to the second quarter or mid-14th century.

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