TWO MINTON'S ART POTTERY BLUE-GROUND MOON FLASKS
TWO MINTON'S ART POTTERY BLUE-GROUND MOON FLASKS
TWO MINTON'S ART POTTERY BLUE-GROUND MOON FLASKS
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TWO MINTON'S ART POTTERY BLUE-GROUND MOON FLASKS
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TWO MINTON'S ART POTTERY MOON FLASKS

CIRCA 1872, IMPRESSED FACTORY MARKS, YEAR CYPHER FOR 1872 AND SHAPE NO. 1498, PRINTED KENSINGTON GORE MARKS, VARIOUS RED AND BLACK PAINTED NUMERALS

Details
TWO MINTON'S ART POTTERY MOON FLASKS
CIRCA 1872, IMPRESSED FACTORY MARKS, YEAR CYPHER FOR 1872 AND SHAPE NO. 1498, PRINTED KENSINGTON GORE MARKS, VARIOUS RED AND BLACK PAINTED NUMERALS
The painted Japanese-inspired decoration attributed to William S. Coleman, one with sparrows perched on cherry branches, the other with peonies, bamboo and flowering branches, outlined in gilding against a washed black ground
13 ½ in. (34.3 cm.) high
Literature
B. Coleman, The Best of British Arts & Crafts, Atglen, PA, 2004, p. 70, 86.
M. Levy, ‘Living with antiques: A collection of Victorian decorative arts’, Antiques, June 2000, pp. 948-955, p. 950, pl. iii.

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Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

Lot Essay

William Stephen Coleman, a well-respected artist, began working on ceramics at the Minton's factory in Stoke in 1869. In 1871, the factory established an Art Pottery Studio in Kensington Gore, London, in close proximity to institutions which would help instruct, educate, and inspire its artists – the South Kensington Museum, the School of Art, the Horticultural Gardens, and the Royal Albert Hall. Under the direction of Coleman, who specialised in portraits and subjects inspired by the natural world, vases, chargers and tiles were individually hand painted by the studio artists. However, the endeavour was short-lived with a devasting fire resulting in the closure of the studio in 1875.

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