SIR ALFRED GILBERT, M.V.O., R.A. (1854-1934)
SIR ALFRED GILBERT, M.V.O., R.A. (1854-1934)
SIR ALFRED GILBERT, M.V.O., R.A. (1854-1934)
SIR ALFRED GILBERT, M.V.O., R.A. (1854-1934)
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SIR ALFRED GILBERT, M.V.O., R.A. (1854-1934)

Perseus arming

細節
SIR ALFRED GILBERT, M.V.O., R.A. (1854-1934)
Perseus arming
unsigned, on a giallo antico and black marble pedestal
bronze, dark brown patina
5 ¾ in. (14.2 cm.) high, the bronze
9 ¼ in. (23.5 cm.) high, overall
Conceived circa 1882.
With blue bordered label inscribed 'Sir Alfred Gilbert R.A.'
來源
Peter Rose recorded that this sculpture was acquired from Frederick William Pomeroy's daughter-in-law, 1979.
出版
COMPARATIVE LITERATURE:
J. Hatton, 'The Life and Work of Albert Gilbert, MVO, RA, LLD', Easter Art Annual, 1903.
I. McAllister, Alfred Gilbert, London, 1929, p. 55-7.
R. Dorment, Alfred Gilbert, New Haven, 1985, p. 28-44.
R. Dorment, Alfred Gilbert, Sculptor and Goldsmith, London, 1986, p. 106-8.
M. Hamnett, ‘The Albert Dawson Collection: a Handley-Read Legacy’, The Journal of the Decorative Arts Society 1850 - the Present, 2016, vol. 40, p. 102, fig. 8.

榮譽呈獻

Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

拍品專文


Gilbert worked on the model of Perseus arming during the winter of 1880-1 following a visit to Florence where he had seen Cellini's Perseus and Medusa. However, Gilbert was insufficiently moved by Cellini's masterpiece, ultimately creating a work not limited by iconographic reference and which strove to expose a certain vulnerability within the subject. As he told the novelist and journalist Joseph Hatton, he 'conceived the idea that Perseus before becoming a hero was a mere mortal, and that he had to look to his equipment.' The finished work, depicting the graceful figure of a vulnerable youth, was first shown at the Grosvenor Gallery in London in 1882 where it received great critical acclaim. It went on to earn Gilbert an honourable mention at the Paris Salon the following year. The work was subsequently cast in three sizes, the present an example of the smallest.

更多來自 美學之旅:彼得·羅斯及亞伯特·加里坎珍藏

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