A LATE LOUIS XVI ORMOLU-MOUNTED BRASS AND PEWTER-INLAID EBONY AND TORTOISESHELL SIDE CABINET (BAS D'ARMOIRE)
A LATE LOUIS XVI ORMOLU-MOUNTED BRASS AND PEWTER-INLAID EBONY AND TORTOISESHELL SIDE CABINET (BAS D'ARMOIRE)
A LATE LOUIS XVI ORMOLU-MOUNTED BRASS AND PEWTER-INLAID EBONY AND TORTOISESHELL SIDE CABINET (BAS D'ARMOIRE)
6 更多
A LATE LOUIS XVI ORMOLU-MOUNTED BRASS AND PEWTER-INLAID EBONY AND TORTOISESHELL SIDE CABINET (BAS D'ARMOIRE)
9 更多
Please note this lot will be moved to Christie’s F… 顯示更多
A LATE LOUIS XVI ORMOLU-MOUNTED BRASS AND PEWTER-INLAID EBONY AND TORTOISESHELL SIDE CABINET (BAS D'ARMOIRE)

CIRCA 1780-90, COMMISSIONED BY THE MARCHAND-MERCIER CLAUDE-FRANCOIS JULLIOT, AND ATTRIBUTED TO ADAM WEISWEILER, INCORPORATING LOUIS XIV MARQUETRY PANELS

細節
A LATE LOUIS XVI ORMOLU-MOUNTED BRASS AND PEWTER-INLAID EBONY AND TORTOISESHELL SIDE CABINET (BAS D'ARMOIRE)
CIRCA 1780-90, COMMISSIONED BY THE MARCHAND-MERCIER CLAUDE-FRANCOIS JULLIOT, AND ATTRIBUTED TO ADAM WEISWEILER, INCORPORATING LOUIS XIV MARQUETRY PANELS
The later rectangular gris St. Anne marble top above a frieze mounted with acanthus leaves, over a central paneled door mounted with a figure of Bacchus beneath a lambrequinned canopy, flanked by a pair of doors with scrolling strapwork, foliage and masks, with oval medallions inscribed 'LES COURAGEUX VONT PARTOUT', 'PEU DE GENTS ME MERITENT', 'NOUS NOUS CONSUMMONS TOUS DEUX' and 'LA SAGESSE EST INEBRANLABLE', above a breakfront plinth mounted with paterae, the paneled sides mounted with espagnolette masks, on turned feet, the paneled backboards possibly replaced in the early 19th century, the feet replaced, the underside of the marble with two paper labels inscribed in red ink 'RD' and '10', respectively
41 ¼ in. (105 cm.) high, 59 ¾ in. (152 cm.) wide, 19 in. (48 cm.) deep
來源
Probably acquired from Abdep, 30 April 1926.
注意事項
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

榮譽呈獻

Casey Rogers
Casey Rogers Senior Vice President, International Specialist Head

拍品專文

Incorporating jewel-like arabesque marquetry from a Louis XIV table top, this bas d'armoire belongs to a celebrated group executed between circa 1775-1800 by the ébéniste Adam Weisweiler for the marchand-mercier Claude-François Julliot (d. 1784) and, subsequently, his son Philippe. These new forms reflected the taste for cabinet furniture in the 'antique' taste associated with André-Charles Boulle that would allow ample room for the hanging of the newly fashionable Dutch and Flemish cabinet pictures. In its overall form and the distinctive treatment of the marquetry, particularly of the sides, the present bas d'armoire can be confidently attributed to Adam Weisweiler. In particular, the distinctive treatment of the side panels, with their foliate spray spandrels enclosing an ebony panel, can be seen on the pair of cabinets stamped by Weisweiler in the Wallace Collection (F393-4), as well as on the larger example at Waddesdon (no.40), the pair of cabinets sold from the Wormser Collection sold at Christie's, New York, 14 November 1985, lot 194a, and the pair from Schloss Schillersdorf sold at Christie's, New York, 27 May 1999, lot 250. The distinctive figural mount depicting Bacchus belongs to a set of four with Ceres, Flora and Boreas, emblematic of the Four Seasons. These are cast after models by André-Charles Boulle himself, which appear, for instance, on the pair of armoires by Boulle at Versailles (illustrated in A. Pradère, Les Ebénistes Français, Paris, 1987, p. 75, fig. 22). The same distinctive figure of Dionysus, paired with Flora, can also be found on the cabinet with attributed to Montigny and which incoprorates panels of Louis XIV Boulle marquetry in the Getty Museum, Los Angeles, while those of Boreas and Ceres feature on that from the collection of the Marquis of Lincolnshire (illustrated in M. Harris & Sons, A Catalogue and Index of Old Furniture and Works of Decorative Art, n.d., p. 437). Bacchus also appears on the cabinet at Waddesdon.

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