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Paul Cézanne (1839-1906)
Paul Cézanne (1839-1906)
Paul Cézanne (1839-1906)
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Paul Cézanne (1839-1906)
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On occasion, Christie's has a direct financial int… Read more The Cox Collection: The Story of Impressionism
Paul Cézanne (1839-1906)

L'Estaque aux toits rouges

Details
Paul Cézanne (1839-1906)
L'Estaque aux toits rouges
oil on canvas
25 ¾ x 32 in. (65.5 x 81.4 cm.)
Painted in 1883-1885
Provenance
Auguste Pellerin, Paris.
Jean-Victor Pellerin, Paris (by descent from the above, 1929).
Ingeborg Pellerin, Paris (by descent from the above, 1970).
Wildenstein & Co. Inc., New York (acquired from the above, 1978).
Acquired from the above by the late owner, 15 June 1978.
Literature
C.H. Caffin, The Story of French Painting, New York, 1911, p. 221 (illustrated; titled Landscape).
F. Burger, Cézanne und Hodler: Einführung in die Probleme der Malerei der Gegen, Munich, 1913 (illustrated, pl. 95; titled Seelandschaft).
G. Coquiot, Paul Cézanne, Paris, 1919, p. 246 (illustrated, p. 113; titled L'Estaque and dated 1883).
T.-L. Klingsor, Maîtres de l'art moderne: Cézanne, Paris, 1923 (illustrated, pl. 7; titled L'Estaque).
G. Rivière, Le Maître Paul Cézanne, Paris, 1923, p. 207 (titled L'Estaque and dated 1878).
E. Faure, P. Cézanne, Paris, 1926 (illustrated, pl. 50; titled L'Estaque).
R. Huyghe, "Cézanne et son oeuvre" in L'amour de l'art, May 1936, vol. XVII, p. 184 (illustrated, fig. 72; titled L'Estaque and dated circa 1890).
L. Venturi, Cézanne—Son art, son oeuvre, Paris, 1936, vol. I, p. 152, no. 399 (illustrated, vol. II, pl. 110; titled La mer à l'Estaque and dated 1882-1885).
J. Rewald, "A propos du catalogue raisonné de l'oeuvre de Paul Cézanne et de la chronologie de cette oeuvre" in La Renaissance, March-April 1937, vol. 20, nos. 3-4, p. 56.
F. Novotny, Cézanne und das Ende der wissenschaftlichen Perspektive, Vienna, 1938, p. 213, no. 109 (illustrated, fig. 42; titled Blick auf L'Estaque and dated circa 1883) and p. 64, note 58.
R. Cogniat, Cézanne, Paris, 1939 (illustrated, pl. 44; titled La mer à l'Estaque and dated 1882-1885).
M. Raynal, Cézanne, London, 1939 (illustrated in color; titled La mer à l'Estaque and dated 1882-1885).
G. Schildt, Cézanne, Stockholm, 1946 (illustrated in color, pl. I; dated 1882-1885).
C.L. Ragghianti, Impressionnisme, Turin, 1947 (illustrated in color, pl. XLII; dated 1882-1885).
B. Dorival, Cézanne, Paris, 1948, p. 157 (illustrated in color, pl. 76; titled La mer à l'Estaque and dated 1882-1885).
R.W. Ratcliffe, Cézanne's Working Methods and Their Theoretical Background, Ph.D. Diss. Courtauld Institute of Art, University of London, 1961 (dated 1881-1884).
L. Brion-Guerry, Cézanne et l'expression de l'éspace, Paris, 1966, pp. 107-112.
S. Orienti, The Complete Paintings of Cézanne, New York, 1970, p. 105, no. 415 (illustrated).
J. Rewald, Cézanne: A Biography, New York, 1986, p. 154 (illustrated in color).
J. Rewald, The Paintings of Paul Cézanne: A Catalogue Raisonné, New York, 1996, vol. I, no. 517 (illustrated, vol. II, p. 167).
N.M. Athanassoglou-Kallmyer, Cézanne and Provence: The Painter in His Culture, Chicago, 2003, p. 114 (illustrated in color, fig. 3.13).
V. Serrano, Cézanne in Provence, exh. cat., National Gallery of Art, Washington, D.C., 2006, p. 136 (illustrated in color, fig. 14).
G.-P. and F. Dauberville, Paul Cézanne chez Bernheim-Jeune, Paris, 2010, p. 470, no. 121 (illustrated, p. 471; titled Paysage (L'Estaque)).
F. Novotny, Paul Cézanne: Gesammelte Schriften zu seinem Werk und Materialien aus dem Nachlaß, Vienna, 2011 (illustrated, fig. 42).
G. Blanc, L'Estaque: Art et patrimoine, chronique d'une double histoire, Gémenos, 2013, p. 170, no. 17 (illustrated in color).
G. Blanc, L'Oeuvre de Cézanne à L'Estaque, huiles, aquarelles, dessins, 1864-1885, Marseille, 2019, pp. 97-99 (illustrated in color, p. 96, fig. 112 and p. 98, fig. 114).
G. Blanc, Et si L'Estaque m'était contée?, 2020, p. 155 (illustrated).
W. Feilchenfeldt, J. Warman and D. Nash, The Paintings, Watercolors and Drawings of Paul Cézanne: An Online Catalogue Raisonné (www.cezannecatalogue.com), no. FWN 191 (illustrated in color).
Exhibited
Paris, Musée de l'Orangerie, Cézanne, May-October 1936, no. 55 (illustrated, pl. XXIV).
Special Notice

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