FENDER MUSICAL INSTRUMENTS, CORONA, CIRCA 2000
FENDER MUSICAL INSTRUMENTS, CORONA, CIRCA 2000
FENDER MUSICAL INSTRUMENTS, CORONA, CIRCA 2000
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Please note this lot will be moved to Christie’s F… 顯示更多
FENDER MUSICAL INSTRUMENTS, CORONA, CIRCA 2000

A SOLID-BODY ELECTRIC GUITAR, STRATOCASTER, ARTIST'S PROTOTYPE, NILE RODGERS HITMAKER

細節
FENDER MUSICAL INSTRUMENTS, CORONA, CIRCA 2000
A SOLID-BODY ELECTRIC GUITAR, STRATOCASTER, ARTIST'S PROTOTYPE, NILE RODGERS HITMAKER
The logo Fender STRATOCASTER / ORIGINAL / Contour / Body, the neck plate stamped NR00303 / THE / HITMAKER, the finish of Olympic White, maple neck and walnut strip, with original Fender Custom Shop case
Length of back 15 3⁄4 in. (40 cm.)
注意事項
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
更多詳情
Please note that the deadline to have your lot shipped prior to the holidays has passed. We will be happy to arrange shipping for you in the New Year. Alternatively, please contact Post-Sale Services at postsaleus@christies.com or +1 212 636 2263 to discuss collecting in person prior to our office closure on 22 December. Please note that all lots collected in person are subject to New York City sales tax at a rate of 8.875%.

榮譽呈獻

Nathalie Ferneau
Nathalie Ferneau Head of Sale, Junior Specialist

拍品專文

Over the course of the Nile Rodgers Hitmaker project Fender worked tirelessly to replicated his legendary Stratocaster. Of the many prototypes produced and sent, both Rodgers and his guitar technician, Ralph Legnini, described this guitar as the prototype that accurately mirrored the weight, feel, and contours of his 1960 Fender Stratocaster dubbed The Hitmaker. Please see Lot 1.

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