DEERING BANJO COMPANY, LEMON GROVE, CIRCA 1985-90
DEERING BANJO COMPANY, LEMON GROVE, CIRCA 1985-90
DEERING BANJO COMPANY, LEMON GROVE, CIRCA 1985-90
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Please note this lot will be moved to Christie’s F… 显示更多
DEERING BANJO COMPANY, LEMON GROVE, CIRCA 1985-90

AN ELECTRIC SIX-STRING BANJO, CROSSFIRE

细节
DEERING BANJO COMPANY, LEMON GROVE, CIRCA 1985-90
AN ELECTRIC SIX-STRING BANJO, CROSSFIRE
Bearing the logo DEERING CROSSFIRE at the headstock, the body of alder with blue metallic finish, ebony fingerboard and maple neck, with hard-shell oblong case, warranty card and Deering catalogue
Length of back 15 7⁄8 in. (40.2 cm.)
注意事项
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice. Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. This material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone certain species of coral, and Brazilian rosewood. You should check the relevant customs laws and regulations before bidding on any lot containing wildlife material if you plan to import the lot into another country. Several countries refuse to allow you to import property containing these materials, and some other countries require a licence from the relevant regulatory agencies in the countries of exportation as well as importation. In some cases, the lot can only be shipped with an independent scientific confirmation of species and/or age, and you will need to obtain these at your own cost.

荣誉呈献

Nathalie Ferneau
Nathalie Ferneau Head of Sale, Junior Specialist

拍品专文

This unusual Deering Crossfire banjo blurs the visual lines between guitar and banjo, but produces superb sound and is even favored by bluegrass virtuoso Béla Fleck. While many banjo players prefer the classic look of a banjo, Rodgers has said: "I always thought [about] the uniqueness of the Crossfire, because they really went out of style very fast....but this allowed Nashville guys who didn’t know how to play the banjo to be like Keith Urban.... As a musician you want sounds and I know that at some point I was going to be working with country guys...maybe people would call me to write songs or whatever and I just wanted to have a banjo type of sound. Just to compose with."

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