RARE ET IMPORTANTE STATUE DE BOUDDHA AMITABHA (AMIDA NYORAI) EN BOIS DORE
RARE ET IMPORTANTE STATUE DE BOUDDHA AMITABHA (AMIDA NYORAI) EN BOIS DORE
RARE ET IMPORTANTE STATUE DE BOUDDHA AMITABHA (AMIDA NYORAI) EN BOIS DORE
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RARE ET IMPORTANTE STATUE DE BOUDDHA AMITABHA (AMIDA NYORAI) EN BOIS DORE
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This item will be transferred to an offsite wareho… Read more PROPERTY FROM THE MASRIERA COLLECTION, SPAINThe Masriera family is well known in the jewellery world. The Masriera firm was founded by Joseph Masriera Vidal (1810-1875) in 1839 during the closing stages of Romanticism.Josep Masriera Vidal‘s two eldest sons, Francesc (1842-1902) and Josep Masriera (1841-1912), continued the family tradition of combining savoir-faire in jewellery, precious metals and painting.A high point for the Masriera brothers came in 1888, when they were awarded a gold medal at the Universal Exhibition of Barcelona. Josep’s son, Lluis Masriera Rosés (1872-1958), was introduced to gemstone engraving by his father and to creative techniques by his uncle Francesc. A multi-faceted artist, he was a goldsmith and a painter, a writer and a set designer. He perfected his enamelling technique in Geneva, Paris and London before returning to Barcelona in 1900, where he was appointed artistic director of the family business.A year later, he revolutionised the 'Masriera' style, presenting his first pieces, strongly influenced by Art Nouveau, in the boutique founded by his grandfather. Inspired by the work of René Lalique, he succeeded in combining the naturalistic motifs and the representations of women with long flowing hair, dressed in the delicate drapery so characteristic of Art Nouveau, while adding his own personal touch. The stylistic strength of Lluis Masriera's creations allowed him to quickly establish himself as an important figure in the jewellery world. The Masriera jewellery house continues to create pieces in a polymorphous style between Art Nouveau and artist's jewellery.
RARE ET IMPORTANTE STATUE DE BOUDDHA AMITABHA (AMIDA NYORAI) EN BOIS DORE

JAPON, EPOQUE EDO (1603-1868)

Details
RARE ET IMPORTANTE STATUE DE BOUDDHA AMITABHA (AMIDA NYORAI) EN BOIS DORE
JAPON, EPOQUE EDO (1603-1868)
Il est représenté assis en virasana sur une base lotiforme surmontant une base hexagonale à plusieurs étages. Le bouddha placé devant une imposante mandorle rehaussé de nuages stylisés et d'un stupa. Sa main droite est en abhayamudra et sa main gauche en dhyanamudra est posée sur sa cuisse. Il est vêtu d'une robe monastique au plissé élégant couvrant ses deux épaules. Son torse est nu. Son visage est serein et ses yeux mi-clos rehaussés de polychromie. Ses moustaches sont finement déssinées. Son front est paré de l'urna. Ses cheveux et l'usnisha proéminent sont recouverts de petites boucles.
Hauteur du Bouddha: 86 cm. (33 7⁄8 in.)
Hauteur totale: circa 219 cm. (86 5⁄8 in.)
Provenance
Acquired in the 1870s by Francesc Masriera i Manovens (1842-1902) at "Au Mandarin", Avenue de l'Opéra, Paris, and thence by descent to the present owner.

Literature
Pilar Vélez,Joies Masriera, 200 Anys d'Historia, Ambit, Barcelona, 1999, p.58
Japonismo. La Fascinación por el Arte Japonés, Obra Social La Caixa, Barcelona, 2013, p.88.
Exhibited
Japonismo. La Fascinación por el Arte Japonés, Obra Social La Caixa, Barcelona, 13 June - 15 September 2013.


Special notice
This item will be transferred to an offsite warehouse after the sale. Please refer to department for information about storage charges and collection details.
Further details
A RARE AND MASSIVE GILT-WOOD FIGURE OF BUDDHA AMITABHA (AMIDA NYORAI) AND STAND
JAPAN, EDO PERIOD (1603-1868)

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Tiphaine Nicoul
Tiphaine Nicoul Head of department

Lot Essay

During the late 1860s, early 1870s, Japan opened to the world and the wave of Japonism struck the artists and collectors of the Western world. Francesc and Josep Masriera showed a strong interest in Japanese arts including prints, masks, kimonos and sculptures. Francesc bought the present Bouddha in the 1870s in Paris at the Antique shop 'Au Mandarin', Avenue de l'Opéra, Paris.The passion of the family for Japan intensified in the early twentieth century by Luis Masriera.
In 1884, Josep and Francesc hired the architect Josep Vilaseca i Casanovas to create an astounding workshop for them on Bailen Street in Barcelona. The Masriera's combined art collections were kept there and it became a major cultural centre, featuring dramatic performances as well as art shows.
Modelled as a Greek temple after the Temple of Augustus (Mount Tabor), it became a cultural centre for the arts in the city.
It opened to the public in 1913 as a museum where the present lot was exhibited in all its majesty. In 1932, it became the Teatre Studium and was later connected to the adjoining buildings. It is now a residence for the nuns of the "Petita Companyia del Cor Eucarístic de Jesús".



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