A DUTCH DELFT HAUSMALEREI ENGHALSKRUG
A DUTCH DELFT HAUSMALEREI ENGHALSKRUG
A DUTCH DELFT HAUSMALEREI ENGHALSKRUG
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A DUTCH DELFT HAUSMALEREI ENGHALSKRUG
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A DUTCH DELFT HAUSMALEREI ENGHALSKRUG

CIRCA 1660-65, THE DECORATION BY JOHANN SCHAPER, NUREMBERG

细节
A DUTCH DELFT HAUSMALEREI ENGHALSKRUG
CIRCA 1660-65, THE DECORATION BY JOHANN SCHAPER, NUREMBERG
Finely painted in sepia with figures in a wooded landscape with a distant fortified bridge, the foreground with figures at discussion below a tree by a large rock, the rock with a Sgraffito iS monogram flanked by Sgraffito reeds and flowers, the elaborate cartouche gilded and enhanced in shades of red with two hounds clambering over scrolling strapwork to attack a central hawk or eagle, the neck with a winged insect, the reverse with a ladybird covering a small firing fault
8 7⁄8 in. (22.5 cm.) high
来源
Anonymous sale; Sotheby’s, London, 25 March 1969, lot 19.
出版
Philip Wilson, Art At Auction: The Year at Sothebys & Parke-Bernet 1968-1969, London, 1969, p. 382.
Helmet Bosch, Die Nürnberger Hausmaler, Munich, 1984, p. 32, no. 6.
注意事项
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

荣誉呈献

Isabelle Cartier-Stone
Isabelle Cartier-Stone Specialist

拍品专文


The landscape scene is after an engraving by Gabriel Perelle, whose engravings were frequently used by Schaper for the basis of his decoration. The distant fortified bridge on the present lot is not present on Perelle’s engraving, and is presumably an addition of Schaper’s. A Delft birnkrug decorated by Schaper (signed and dated 1663) follows the Perelle engraving more faithfully (see Bosch, ibid., p. 37, fig. 10b for the engraving). The tightly-packed decoration of the cartouche of the present lot, and the similarity of the dogs clambering to attack the central bird, bear a striking similarity to a 1664 ornamental design engraving by Johann Heel (one of 6 engravings illustrated by Bosch, ibid., p. 501). Heel also decorated fayence in Nuremberg, and his cartouches often featured tightly packed decoration.

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