Lot Essay
A handwritten note attached to the back of the frame, signed by the pupil of Jean-Auguste-Dominique Ingres, Charles Damour (1813-1901?), and dated 25 January 1879, documents the noteworthy provenance of this beautiful sheet, starting with the sculptor Jean-Joseph Espercieux. He may have received it as a gift from Redouté himself for having sculpted in plaster the painter's bust for the Salon of 1802. The lovingly rendered branch could have been taken from a plum tree at Malmaison, where Redouté had been working for Joséphine de Beauharnais creating the illustrations for Jardin de la Malmaison, published in 1803-1804.