ALBERT-ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887)
ALBERT-ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887)
ALBERT-ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887)
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ALBERT-ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887)
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Please note this lot will be moved to Christie’s F… 显示更多
ALBERT-ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887)

Bust of a maiden

细节
ALBERT-ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887)
Bust of a maiden
signed A. CARRIER to the reverse, mounted on an ebonized wooden base
terracotta
27 1⁄2 in. (70 cm.) high, 16 in. (40.6 cm.) wide
Circa 1875-1880.
出版
COMPARATIVE LITERATURE:
Carrier-Belleuse Le Maître de Rodin, exhibition catalogue, 22 May – 27 October 2014, Compiègne, 2014, p. 53, cat. 33.
注意事项
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

荣誉呈献

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

拍品专文

The present lot is an exquisite example of Albert-Ernest Carrier-Belleuse’s ability create highly textured and often sinuous fabrics out of firm materials. The intricate and delicate tracery of her crown is reminiscent of an example depicting the Comtesse de Castiglione, in the collection of Lucile Audouy, Paris, dated to 1864 (illustrated, Carrier-Belleuse Le Maître de Rodin, exhibition catalogue, 22 May – 27 October 2014, Compiègne, 2014, p.57, cat. 39). The Comtesse famously posed for a photograph taken by Pierre-Louis Pierson after a ball at the Tuileries on February 9, 1863, dressed in what was considered a scandalous costume as the Queen of Etruria. This served as inspiration for various works by Carrier-Belleuse, the cited example executed in terracotta mounted with bronze colored accents. Another example with beautifully drawn lace is in the collection of the Château de Compiègne (illustrated op cit. p. 53).

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