A LARGE AND RARE GREEN-MARBLE AND HUANGHUALI STANDING SCREEN
A LARGE AND RARE GREEN-MARBLE AND HUANGHUALI STANDING SCREEN
A LARGE AND RARE GREEN-MARBLE AND HUANGHUALI STANDING SCREEN
2 更多
A LARGE AND RARE GREEN-MARBLE AND HUANGHUALI STANDING SCREEN
5 更多
Prospective purchasers are advised that several co… 顯示更多 重要私人珍藏
十七/十八世紀 黃花梨嵌綠石案屏

17TH-18TH CENTURY

細節
十七/十八世紀 黃花梨嵌綠石案屏
47 1⁄2 in. (120.6 cm.) high, 29 1⁄2 in. (74.9 cm.) wide, 14 1⁄2 in. (36.8 cm.) deep
來源
恆藝館, 香港, 1996年12月16日
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

榮譽呈獻

Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

拍品專文


The term Dali stone refers today to all calcitic or dolomitic marbles, but traditionally referred to white marbles with black veining evoking ink paintings. This stone comes from the Diancang mountain range west of Dali in Yunnan province. The lushi, or green, stone, such as the present screen, is considered the most rare, and is technically a form of serpentine. A huanghuali and green marble table screen, dated to the late sixteenth-early seventeenth century, is in the Minneapolis Institute of Arts, illustrated by R. D. Jacobsen and N. Grindley, Classical Chinese Furniture in the Minneapolis Institute of Arts, Minneapolis, 1999, pp. 208-9, no. 78.

Standing screens were placed inside entrance rooms to dispel draughts and to ward off negative cosmic energies. Monumental standing screens could be placed behind the seats of important people to indicate high status. For one of the largest and finest examples of a floor screen with removable upper panel, see the magnificent Dali marble-inset huanghuali and tielimu screen, sold at Christie's, New York, Important Chinese Furniture, Formerly the Museum of Classical Chinese Furniture Collection, 19 September 1996, lot 66, and now in the Minneapolis Institute of Arts, illustrated by R.D. Jacobson and N. Grindley, op. cit., pp. 152-3, no. 53.

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