A PAINTED ENAMEL SNUFF BOTTLE
A PAINTED ENAMEL SNUFF BOTTLE
A PAINTED ENAMEL SNUFF BOTTLE
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Prospective purchasers are advised that several co… 显示更多
A PAINTED ENAMEL SNUFF BOTTLE

IMPERIAL, GUANGZHOU WORKSHOPS, QIANLONG FOUR-CHARACTER MARK IN BLUE AND OF THE PERIOD (1736-1795)

细节
2 1⁄16 in. (5.1 cm.) high, coral and pearl stopper
来源
Bob C. Stevens Collection.
The Bob C. Stevens Collection of Fine and Important Chinese Snuff Bottles, Part II; Sotheby’s New York, 26 March 1982, lot 84.
Rachelle R. Holden Collection, New York.
出版
JICSBS, March 1980, p. 14, fig. 5.
展览
Tokyo, Mikimoto Hall, An Exhibition of Chinese Snuff Bottles From The Bob C. Stevens Collection, 22-31 October 1978, cat. no. 360.
注意事项
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

荣誉呈献

Margaret Gristina (葛曼琪)
Margaret Gristina (葛曼琪) Senior Specialist, VP

拍品专文


This bottle is one of a group of Imperial wares produced in Guangzhou during the Qianlong period. The Guangzhou enamelers regularly employed techniques of the Palace workshops, such as the use of stippled areas where a series of minute dots provides gradation in the colors, or a ground color, as seen here in the green trees. These stylistic similarities arose for two main reasons: Guangzhou enamelers were occasionally seconded to the Palace workshops for a number of years, and Jesuit enamelers often spent lengthy periods in Guangzhou awaiting permission to proceed north after their arrival, spending time demonstrating their skills to local craftsmen and imparting some elements of their style to Guangzhou workshops. The current snuff bottle reflects the fascination of the Qianlong Emperor with Western subjects, which appear on both porcelain and metal enameled wares produced during his reign.

For another 'European subject' bottle decorated with figures in an outdoor setting, see Snuff Bottles from the Tuyet Nguyet and Stephen Markbreiter Collection Part I, Sotheby’s Hong Kong, 4 June 2021, lot 1012.

For other Guangzhou enamel bottles decorated with a variety of subjects, and a discussion of the origin of the art form in Guangzhou, see Moss, Graham, Tsang, A Treasury of Chinese Snuff Bottles, the Mary and George Bloch Collection, Volume 6, Part 1, Hong Kong, 2008, pp. 276-309, nos. 1124-1137.


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